Bøger udgivet af University Press of Mississippi

A celebration of the Magnolia State's exceptional waterways

Over three decades of interviews with the innovative Nigerian author and first Black African winner of the Booker Prize

Over three decades of interviews with the innovative Nigerian author and first Black African winner of the Booker Prize

A timely group of essays that wrestles with what children's literature is and who it is made for

A timely group of essays that wrestles with what children's literature is and who it is made for

Whether it's Tom and Jerry, Scooby-Doo, the Jetsons, Yogi Bear, Top Cat, Huckleberry Hound, or hundreds of others, the creations of the Hanna-Barbera studio continue to delight generations worldwide. The groundbreaking company employed thousands in the art and business of animation. Some of them were vintage-era veterans, others were up-and-coming talents, some of whom found blockbuster success at other studios. The power of the sounds that Hanna-Barbera crafted to accompany the compelling visuals was a key factor in its spectacular success. Legendary vocal performances and signature sound effects evoke countless visual images. Catchy music cues and theme songs are recalled instantly. Hanna-Barbera, the Recorded History: From Modern Stone Age to Meddling Kids chronicles, for the first time, the story of this entertainment phenomenon from one century to the next and reveals unexplored aspects of its artistry. Hanna-Barbera's impact on the music industry is chief among these aspects. Author Greg Ehrbar chronicles the partnership between Bill Hanna, Joe Barbera, and their talented associates--and, at the same time, parallels the impact of their artistry on the recording industry. Page after page abounds with exclusive interviews, surprising facts, and previously unpublished anecdotes. Also featuring the first extensive H-B discography ever published, Hanna-Barbera, the Recorded History earns its place on the go-to shelf of every animation, music, television, and film enthusiast.

The second and final volume in a series that details the daily life of one of America's most powerful, intriguing writers

The newest chapter in Mississippi's monster football rivalry

"Opened in 1907 in Shreveport, Louisiana, by Lizzetta LeFalle-Collins's grandfather, Black dairy farmer Angus Bates, Lakeside Dairy was a rarity in the post-Reconstruction South. The dairy thrived despite the time's challenging, racially oppressive, and hostile social and political climate. While Lakeside Dairy closed in 1943, Angus's life and work legacy echoed through the Bates family for generations. Author LeFalle-Collins structures her narrative around familial creative storytelling heard as a child, supported by family ephemera about the dairy and the family's social and community engagement. These documents directed her historical research as Seasons at Lakeside Dairy tracks life on the farm through the year, showing how the family worked, lived, and cooked and how they made a sustainable living in a climate of pervasive racism. Survival in the farming community was mainly due to the influence of George Washington Carver, who disseminated innovative recommendations for farmers, and Booker T. Washington, who advocated for Black entrepreneurs to remain and rebuild the South to make it their own. Angus Bates passed in 1935, and his spouse Carrie D. Bates, who had always been the dairy's partner and financial manager, rebranded the dairy in her name with her sons until closing. Realizing Shreveport held few opportunities for her children, she encouraged them to move west, a migratory route followed by many Black Louisianans. Family members' voices are interwoven into each chapter with direct quotations, creative storytelling, historical contexts, ephemera, and healthier recipes based on family favorites. Seasons at Lakeside Dairy offers unique insight into their persistence, sustainability, self-sufficiency, and joy. Migration tales also open a window into the complex history of race and identity, continuing as they became homeowners in the West"--

The first book-length scholarly study of one of the most influential creators of comics' Bronze Age

They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shantyboats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana's most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of "River Rats" living in a vestigial colony of twelve "camps" on New Orleans's river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.

"Fallen Comrade: A Story of the Korean War tells the story of three young men from Clinton, Mississippi, who served in the US Marine Corps during the Korean War. Waller King, Joe Albritton, and Homer Ainsworth were childhood friends who grew up in the same neighborhood, went to the same schools, attended the same church, and eventually joined the same Marine Corps reserve unit in Jackson. Through extensive interviews with people who knew them, as well as excerpts from their letters and journals, this volume traces the life experiences of King, Albritton, and Ainsworth through their adolescence and into the war. Despite their shared origins, the three young men met different fates. Ainsworth was in Korea just two months before he was killed. Albritton and King returned home after the war, but Albritton died tragically in an automobile accident mere weeks later. King went on to college and experienced success in business, the joys of a family, and the rewards of community service, all of which were denied his childhood friends by their early deaths. Part biography and part military history, Fallen Comrade examines what happened to three young men from Clinton, their childhood in small-town Mississippi, their service as Marines in Korea, and their legacy to their hometown"--

A dynamic collection acknowledging a powerful diversity of superheroes outside of expected boundaries

A dynamic collection acknowledging a powerful diversity of superheroes outside of expected boundaries

Enlightening essays on the enduring and compelling functions of violence in comics

Enlightening essays on the enduring and compelling functions of violence in comics

Fourteen profiles of and conversations with the well-known American actor, director, and screenwriter

Fourteen profiles of and conversations with the well-known American actor, director, and screenwriter

In the spring of 1862, Lucy McKim, the nineteen-year-old daughter of a Philadelphia abolitionist Quaker family, traveled with her father to the Sea Islands of South Carolina to aid him in his efforts to organize humanitarian aid for thousands of newly freed slaves. During her stay she heard the singing of the slaves in their churches, as they rowed their boats from island to island, and as they worked and played. Already a skilled musician, she determined to preserve as much of the music as she could, quickly writing down words and melodies, some of them only fleeting improvisations. Upon her return to Philadelphia, she began composing musical settings for the songs and in the fall of 1862 published the first serious musical arrangements of slave songs. She also wrote about the musical characteristics of slave songs, and published, in a leading musical journal of the time, the first article to discuss what she had witnessed.In Songs of Sorrow renowned music scholar Samuel Charters tells McKim's personal story. Letters reveal the story of young women's lives during the harsh years of the war. At the same time that her arrangements of the songs were being published, a man with whom she had an unofficial "e;attachment"e; was killed in battle, and the war forced her to temporarily abandon her work.In 1865 she married Wendell Phillips Garrison, son of abolitionist William Lloyd Garrison, and in the early months of their marriage she proposed that they turn to the collection of slave songs that had long been her dream. She and her husband--a founder and literary editor of the recently launched journal The Nation--enlisted the help of two associates who had also collected songs in the Sea Islands. Their book, Slave Songs of the United States, appeared in 1867. After a long illness, ultimately ending in paralysis, she died at the age of thirty-four in 1877. This book reclaims the story of a pioneer in ethnomusicology, one whose influential work affected the Fisk Jubilee Singers and many others.

Before cable television and mega-contracts, professional jocks' lives were little different from those of the fans in the stands. Back then, the game they played was much simpler but far rougher than anything seen today. Ever cheering from the sidelines, Perian Conerly, wife of the New York Giants' star quarterback Charlie Conerly, and the first female sportswriter in the National Sportswriters' Association, wrote this lighthearted account of pro football during its heyday (1948-1961). Her husband led the Giants for fourteen seasons. As she describes the glory games, the players, and life on the road, she delivers from the inside the kind of personal reportage that fans adore. Her story begins with the hilarious misadventures of her wedding day in Clarksdale, Mississippi, "the Golden Buckle on the Cotton Belt." It ends thirteen years later with Charlie's retirement at the age of forty. In between, there are vignettes of the closely knit cadre of Giants' wives, most of whom resided in the same Bronx hotel near Yankee Stadium. She also reports locker-room gossip and recounts amusing pro-ball anecdotes of a time before TV made athletes' images familiar in all households. Although their deeds on the gridiron were notable, their faces were not. Back then, players were so anonymous in public that many times they fell prey to imitators who stole their identities to mooch drinks and dinners from unsuspecting fans only for the thrill of passing as "somebody." Along with her scoop reports on winning games, Mrs. Conerly paints an endearing portrait of her famous husband, an Ole Miss legend who, after retirement, was hired as the first Marlboro Man. Though her style is casual, she moves the reader painlessly through some of the finer points of the game. The Washington Evening Star touted her for "having written the best book on pro football in a long time." The New York Times, for which Mrs. Conerly wrote occasional sports columns, said "Backseat Quarterback is exactly the kind of book that one would expect Perian Conerly to write. Its pages shine with her charm, gaiety, wit, intelligence, and sparkle." Newsweek praised its "comic insight." This reissue of a favorite book of 1963 has a foreword by the Conerlys' friend and teammate Frank Gifford.

Dwelling along the Mississippi River, the Tennessee state line, the Tenn-Tom Waterway, and the Gulf of Mexico are a trove of characters with fascinating lives and histories. In Rowdy Boundaries: True Mississippi Tales from Natchez to Noxubee, author James L. Robertson weaves these stories to reveal a tapestry of Mississippi's border counties and the towns and people that occupy them. From his unique vantage as a former Mississippi Supreme Court justice and seasoned lawyer, he documents the legal, geographical, and biographical tales revealed during his journeys along and within the state lines. The volume features the true stories of musicians, authors, portrait painters, and football players, as well as political activists, educators, politicians, and judges. Also featured are tributes to noteworthy newspaper editors and columnists for their many contributions over the years. Robertson covers pivotal moments in Mississippi history, including the Mississippi Married Women's Property Act of 1839, the development of Chinese culture in the Mississippi Delta, and 1964 Freedom Summer. He does not shy away from the tragedies of the past, discussing lynchings and murders that still haunt the state today. From ghost towns in Jefferson County to the Slugburger Festival in Corinth, stopping en route for a mint julep in Columbus, Robertson puts a human face on Mississippi history and tells a good yarn along the way.

How a boisterous fruit importer aided a revolution that triggered a war

The first definitive volume in more than fifty years on the extraordinary star of Pickup on South Street, Three Coins in the Fountain, and Niagara