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For writers, walls are challenges to be overcome: put a barrier in their way and they will tunnel under it, vault over it or simply blast their way straight through it. In Beyond the Walls 2021, a new generation of writing talent will be given their chance to do just that.In the latest edition of this much-loved anthology, Creative Writing students from York St John University present the very best fiction, non-fiction and poetry to emerge from the revolutionary 'Centre for Writing' initiative; a beacon for independent literary publishing in the North. Readers, prepare to have your expectations demolished and your hopes restored...
Recovery Songs is a cycle of narrative poems that focuses on the fall and rise of the human condition. These are stories of love, abandonment, abuse, addiction, loss, and by the end, a redemption earned. Unflinching and funny at times, this collection takes its reader through a life lived in the margins, and asks: how do we recover when everything appears lost?
This is a book of two halves, and many journeys. The first part sends us throughout the world and across history, finding the poetry in James Joyce's short-lived cinema, Dana Scully's oarless rowboat, the Cerasi Chapel, a Hindu temple, the Cardiff Mod scene and a Bowie-singing log delivery man - all painted with Lodge's trademark understated humour, striking imagery and careful observation.The second part is a lengthy sequence responding to Captain James Cook's first voyage aboard the Endeavour. Not a work of biography, or a history, this is an effort to capture the imaginative power of Cook's journey into the unknown through a squint view of his companions, the cultures he encountered and the events which unfolded. As a whole, Remarkable Occurrences is a deeply impressive literary achievement which will leave a lasting impression on all those who encounter it.
Science and poetry cross paths in this 10th-anniversary edition of Swain's debut collection, now featuring 20 pages of new work.Darwin¿s Microscope, Swain¿s debut volume of poetry, was first published in 2009 by Flambard Press. It is now in a tenth-anniversary volume from Valley Press, to celebrate the song cycle Endless Forms Most Beautiful, composed by Cheryl Frances-Hoad, of which a selection of the poems comprises a significant part. In the decade since her first publication, Swain has continued to inhabit the liminal space between science and poetry, working as a celebrated poet and art critic specialising in both ecological and medical topics, including a year as one of the first three poets-in-residence at the Oxford University Museum of Natural History.With a section of new poems, Moult, exclusive cover art by artist Katherine Child, and an introduction by Luz Mar González-Arias, this edition gives readers the opportunity to revisit Swain¿s debut collection in the context of international debates on the current geological era, the Anthropocene, characterised by overwhelming evidence on climate change. With demonstrations of ecological grief taking place worldwide, there is now an urgency to search for reciprocal ways of relating to our environment. Darwin¿s Microscope contributes to the search from the vantage point of experiencing two worlds at the same time: in other words, by inhabiting the space where magic happens.
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