Bøger udgivet af Verlag der Buchhandlung Walther Konig

"This language that is every stone" begleitet den vierten Teil einer Ausstellungsreihe, dIe sich mit dem Werk und dem Denken des Schriftstellers Édouard Glissant aus Martinique befasst. Glissants Bilder und Ideen, die er in Martinique, Mississippi, Paris und New York entwickelte, finden ihren Widerhall in der Praxis indigener und diasporischer Künstler in Brisbane und dem australischen Archipel. Der Imperativ von Glissant besteht darin, über Ozeane und Inseln hinweg einen Beitrag zu einer neuen Weltmentalität zu leisten.

Interviews. Maria Lassnig 1919-2014 and Hans Ulrich Obrist were friends since the 1990s. Whenever the curator travelled to Vienna, where the artist lived, he would visit her in her studio and be served apple strudel.While they conversed about current projects, art and stages in her life and development, he was allowed to have a tape recorder and a camera running.Made between 1999 and 2012, these recordings are now being published for the first time in the form of a book.They are accompanied by an audience discussion together with Robert Fleck that was held at the Musee des Beaux-Arts in Nantes at the beginning of the exhibition Maria

Sumayya Vally Counterspace. Melting pot spots inspire elegant vision The TimesA whole city under one roof The GuardianMy practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories with an interest in themes of identity, community, belonging and gathering... Sumayya VallyThe 20th Serpentine Pavilion is designed by Johannesburg-based practice Counterspace, directed by Sumayya Vally b. 1990. A TIME100 Next List honouree, Vally is the youngest architect to be commissioned for this internationally renowned architecture programme.The Pavilions design

Pearl Lines. Employing a highly developed sense of both line and composition, American artist Walter Price b. 1989 incorporates familiar forms and recurring motifs including palm trees, bathtubs, sofas, hats and automobiles a language of signs and symbols, deployed amid shifting horizon lines and bright fields of colour.Across his work he blurs the boundaries between collective history and individual memory, figuration and abstraction, depicting uncertain urban and domestic landscapes populated by the suggestion of people, objects, images and text.Published after the exhibition, Walter Price Pearl Lines at Camden Art Centre,

A Hopscotch of the Mind. Herve Telemaque b.1937, Port-au-Prince, Haiti lives and works in Paris.His work has been shown in exhibitions in Europe and the US since the 1960s, and was the subject of a major retrospective at the Centre Pompidou, Paris in 2015.The academic, C.C. McKee draws on their specialism in the art and visual culture of the modern Atlantic world in order to read Telemaques work through a psychoanalytic lens and the context of Haitian art.British artist Helen Marten and writer Lyonel Trouillot have composed thoughtful and poetic responses to Telemaques work, suggesting new points of entry into the artists uvre.Political