Bøger udgivet af Vintage

This intoxicating book by the author of The Revolution of Little Girls combines autobiography, reporting, and the dressed-up lies we call fiction. An underground classic since its initial publication, it is the wildly funny personal testament of Blanche McCrary Boyd, sixties radical and born-again Southerner, a lesbian with an un-P.C. passion for skydiving and stock-car racing, a graduate of Esalen and kundalini yoga who now takes her altered states "raw, like oysters."The Redneck Way of Knowledge is about family reunions and kamikaze love affairs. It is about crashing an arts festival with two precociously decayed Charleston aristocrats and watching the Pope deliver Communion at Yankee Stadium. It is about the selves we try on and slough off on the way to becoming who we are. Throughout, Blanche Boyd travels the expressway between the realm of the senses and the state of grace, and reports on the journey in prose that combines riotous humor, diamond-hard intelligence, and savage lyricism.

Set in medieval Norway, The Snake Pit follows Olav and Ingunn, who, though raised as brother sister, have become lovers in a world caught between the fading sphere of pagan worship and vendettas and the expansion of Christianity.

By the time of her death, at the tragically young age of thirty-four, Lorraine Hansberry had created two electrifying masterpieces of the American theater. With A Raisin in the Sun, Hansberry gave this country its most movingly authentic portrayal of black family life in the inner city. Barely five years later, with The Sign in Sidney Brustein's Window, Hansberry gave us an unforgettable portrait of a man struggling with his individual fate in an age of racial and social injustice. These two plays remain milestones in the American theater, remarkable not only for their historical value but for their continued ability to engage the imagination and the heart.With an Introduction by Robert Nemiroff

Brookner explores the complications that arise when one solitary man comes up against a woman who seems determined to invade his solitude. George Bland is an aging bachelor whose existence has been virtually a mirror image of his name--up until now. For into George's life walks Katy Gibb, young, abrasively self-assured, who incites in George the most alarming feelings.

In an astonishing feat of literary detection, one of the most provocative critics of our time and the author of In the Freud Archives and The Purloined Clinic offers an elegantly reasoned meditation on the art of biography. In The Silent Woman, Janet Malcolm examines the biographies of Sylvia Plath to create a book not about Plath's life but about her afterlife: how her estranged husband, the poet Ted Hughes, as executor of her estate, tried to serve two masters-Plath's art and his own need for privacy; and how it fell to his sister, Olwyn Hughes, as literary agent for the estate, to protect him by limiting access to Plath's work.Even as Malcolm brings her skepticism to bear on the claims of biography to present the truth about a life, a portrait of Sylvia Plath emerges that gives us a sense of "knowing" this tragic poet in a way we have never known her before. And she dispels forever the innocence with which most of us have approached the reading of any biography.

In his latest tour of the earth's remote, exotic, and dismal places, the author of Road Fever and A Wolverine Is Eating My Leg sleeps with a grizzly bear, witnesses demonic possession in Bali, and survives a run-in with something called the Throne of Doom in Guatemala. Vivid and outrageously funny.

Jean Serjeant, the heroine of Julian Barnes's wonderfully provocative novel, seems ordinary, but has an extraordinary disdain for wisdom. And as Barnes-winner of the Man Booker Prize for The Sense of an Ending-follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts readers with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalogue of 1940s sexual euphemisms; and a glimpse of technology in the twenty-first century (when The Absolute Truth can be universally accessed). Elegant, funny and intellectually subversive, Staring at the Sun is Julian Barnes at his most dazzlingly original. "Brilliant . . . a marvelous literary epiphany."-Carlos Fuentes, The New York Times Book Review "Barnes's literary energy and daring are nearly unparalleled."-New Republic

In 1913, at the age of 54, Daisy Bates went to live in the deserts of South Australia. Brilliantly reviewed, astonishingly original, this "eloquent and illuminating portrait of an extraordinary woman" (New York Times Book Review) tells a fascinating, true story in the tradition of Isak Dinesen and Barry Lopez.

He was short, foul-mouthed, and so constitutionally pugnacious that he once thrashed a Southern train conductor who treated him rudely. He rose from the undistinguished rank of quartermaster to command the Union cavalry at the battles of Yellow Tavern (where he defeated his flamboyant rebel counterpart, J.E.B. Stuart) and Winchester. And when the Civil War was over, General Phil Sheridan continued to fight, whether that meant plunging into the bloody and byzantine politics of Reconstruction Louisiana or managing the inglorious war against the Plains Indians.This outstanding biography restores Sheridan to his place in American military history; examines his relationships with contemporaries like Grant, Sherman, and his ill-fated subordinate George Armstrong Custer, and makes the momentous age he lived in come back to life.

A collection of short fiction, twelve works in all, including two never-before-published novellas. Here are disconnected marriages and uneasy reunions, nostalgic reminiscences and sudden epiphanies--a remarkable and moving collage of contemporary lives.

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s. The Village Voice called A Gathering of Old Men "the best-written novel on Southern race relations in over a decade."

When Pico Iyer decided to go to Kyoto and live in a monastery, he did so to learn about Zen Buddhism from the inside, to get to know Kyoto, one of the loveliest old cities in the world, and to find out something about Japanese culture today -- not the world of businessmen and production lines, but the traditional world of changing seasons and the silence of temples, of the images woven through literature, of the lunar Japan that still lives on behind the rising sun of geopolitical power.All this he did. And then he met Sachiko.Vivacious, attractive, thoroughly educated, speaking English enthusiastically if eccentrically, the wife of a Japanese "salaryman" who seldom left the office before 10 P.M., Sachiko was as conversant with tea ceremony and classical Japanese literature as with rock music, Goethe, and Vivaldi. With the lightness of touch that made Video Night in Kathmandu so captivating, Pico Iyer fashions from their relationship a marvelously ironic yet heartfelt book that is at once a portrait of cross-cultural infatuation -- and misunderstanding -- and a delightfully fresh way of seeing both the old Japan and the very new.