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  • af Diana Wind
    284,95 kr.

    An overview of the submissions to the 2020 Paper Biennial, which shows the many interpretations and meanings of the term HOME that artists give to it in their work. Text in English and Dutch.

  • - Facing Fear
    af Michael Bird & Ralph Keuning
    345,95 kr.

    Facing Fear is the first time the sculptures of Lynn Chadwick and Alberto Giacometti have ever been explicitly compared and contrasted.

  • af Caroline Boyle-Turner, Elise Eckermann, David W (University of Chicago) Galenson, mfl.
    345,95 kr.

    Offers an international platform for research into nineteenth century, West European art history. This work focuses on Vincent van Gogh and his contemporaries and provides a variegated impression of this area of study. It reveals the diversity of the Eminence grise series.

  • af Jet Pijzel-Domisse
    469,95 kr.

    Presents an account of fifteen centuries of European glass art based on the Gemeentemuseum's collection in The Hague.

  • af Sculpture Institute
    196,95 kr.

    Sculpture Studies is a publication from the Sculpture Institute, the research centre for modern and contemporary international sculpture affiliated to the Beelden aan Zee Museum, Scheveningen.

  • - Envisioning the Artist in the Early Modern Netherlands / Het beeld van de kunstenaar in de vroegmoderne Nederlanden
     
    908,95 kr.

    This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century until the mid 17th century, when the relationship between a community of craftsman and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively negotiated.

  •  
    320,95 kr.

    Part of the "Van Gogh Studies" series, this title focuses on Paul Gauguin's "Vision of the Sermon" (1888). It discusses the painting as a self-reflexive work dealing in visual terms with issues of perception, cognition and representation. It also examines Emile Bernard's artistic response to "Vision of the Sermon" in the context of Rosicrucianism.

  • af Pi Li, Jan Teeuwisse & Pius Knusel
    183,95 kr.

    Focusses on contemporary Chinese sculpture, art politics in Switzerland and the designer Benno Premsela. This work includes an account about Rembrandt, written by Piet Esser. It features an essay on the sculptor Wilhelm Lehmbruck by Arie Hartog, curator of the Gerhard Marckshaus in Bremen.

  •  
    216,95 kr.

    Johannes Vermeer (1632-1675) is world-famous for his scenes of daily life, such as a kitchen maid pouring milk, a woman having a music lesson, or a lady writing a letter. This monograph celebrates the work of Johannes Vermeer, focusing on his early works.

  • af Benno Tempel
    243,95 kr.

    When we try to understand modern art, we can not discount the prevailing historic events. In this book fascinating links are shown between photography and paintings, between space travel and utopian art projects.

  • af Gunay Uslu, Ömer Faruk serifoglu & Rene Van Beek
    205,95 kr.

    'Troy. City, Homer and Turkey' presents the latest insights and discoveries relating to both the historical and the legendary Troy.

  • af Quentin Buvelot
    295,95 kr.

    This catalogue of Dutch paintings from the collection of Eijk and Rose-Marie de Mol van Otterloo presents some of the finiest paintings from the Golden Age.

  • af Cees Jan Van Golen
    186,95 kr.

    Celebrates the influence of Dutch heritage around the globe over the past 400 years.

  • - Urban Ceremonial in Antwerp and Brussels during and after the Dutch Revolt
    af Margit Thofner
    643,95 kr.

    This richly illustrated and ground-breaking volume reassesses the relationship between art, material culture and politics in the early modern period. Focusing on festivals and processions, it shows that these played a highly significant role in the life of early modern city-dwellers. In particular, there was a flourishing of urban ceremony in the southern Low Countries, in the great cities of Brabant, in the wake of the Dutch Revolt. This book traces the origins of that flourishing in the political ructions of the 1560-1580s. It also shows that, contrary to received scholarly opinion, early modern urban festivals simultaneously involved and appealed to ordinary people. It was a common and collaborative art form, a way of soliciting broad popular support for civic and princely governments alike.

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