Bøger udgivet af Wakefield Press

Once again, Heather Caddick delves into her collection of forty years of travel adventures, including sashaying between Catholics and Protestants during Northern Ireland's turbulent times, feeding wild hyenas in Ethiopia, and tracking desert elephants in Namibia. Propelled along the road less travelled by her insatiable curiosity, Heather shares stories of wonder about our natural world and the human condition - and reveals how charm and humour can often turn fear and hostility into a sea of goodwill.

In 1870 a colonial government, on the brink of collapse, made an audacious move. South Australia's squabbling politicians briefly put aside their differences and took the bold decision to run an iron wire to the middle of nowhere and beyond. Stringing the Overland Telegraph Line across the silent heart of the continent was a momentous event in the country's history. It connected Adelaide to a global network of cables and wire: those travelling up and down the track through central Australia were seldom out of earshot of its hum. Alice Springs was its most important repeater station.Alice Springs: from singing wire to iconic outback town is the result of eight years of meticulous research unravelling the early history of central Australia's first white settlement. It contains information, never previously published, about that little outpost - a significant heritage site - and how an iconic town was born nearby, during a goldrush that made few people rich. It is a tale of the country's heart and some of its most remarkable but little-known characters, and of children torn between two cultures living at the telegraph station after the morse keys stopped clicking in 1932; children under the shadow of the most controversial piece of legislation in Australia's history. Central Australia has a black history.Alice Springs is no longer the small, outback community romanticised in Nevil Shute's novel A Town like Alice. But its people, black and white, are still living on the line.

The causation of two inflammatory bowel diseases, ulcerative colitis and Crohn's disease, are usually considered unknown. This book was collated from the published scientific literature and observations that brought new avenues of thought on the disease processes of ulcerative colitis and Crohn's disease.ULCERATIVE COLITIS Following the unexpected observation, made in the early 1980s, that bacterial products (short chain fatty acids) nourish the lining cells of the large bowel, it became possible to define biochemical alterations in these cells associated with ulcerative colitis. Agents that mimicked the biochemical alterations (nitric oxide with hydrogen sulphide) were subsequently found and also established to be derived from bacteria. These injurious agents are generated by bacteria from high protein diets, typical of Western diets. Countries where low protein and high carbohydrate diets are consumed, such as rural Africa, have a negligible incidence of ulcerative colitis. Bacteria in the human colon that produce nitric oxide still need to be defined.CROHN'S DISEASE Crohn's disease manifests in a biphasic clinical pattern: a mild early 'infective' stage responsive to antibiotics and a later 'antigenic' phase unresponsive to antibiotics but responsive to immune suppression. One organism, Mycoplasma fermentans, that follows this pattern can be detected in Crohn's disease. These bacterial observations need to be verified by further analyses.

Friedrich Gerstäcker, the most illustrious and prolific of German travel writers, set foot in Australia in March 1851, having walked across the Andes, traipsed the goldfields of California, and sailed over the Pacific in search of new adventures. Gerstäcker found adventures aplenty in Australia. He rowed and trekked down the Murray, absorbed the excitement triggered by the discovery of gold, visited his countrymen in South Australia, and trained his outsider's eyes on a colonial society gripped by profound change. In this translated edition of Gerstäcker's book Australien, his lively travelogue is made available for the first time in English. Rarely has Australia's colonial past been presented with such insight, humour and entertainment.

'It's hard to imagine a job that requires less education than that of government minister,' says John Hill. 'It's also hard to imagine a job where the occupant is less likely to seek help than that of government minister.' John Hill knew when he quit as a government minister that what he had learnt - often painfully - over 11 years was likely to disappear with him. So he wrote it down ...

I do not think that I believe in ghosts, but just for this morning, just for the time it will take to ramble through this quiet city under clouds the colour of tin, or of pigeons' wings, I am going to believe in them. Ordinary lives are revealed as extraordinary, as Carol Lefevre traces the stories of West Terrace Cemetery's little-known inhabitants: there is the tale of the man who fatally turned his back on a tiger, and the man who avoided one shipwreck only to perish in another; there is the story of the young woman who came home from a dance and drank belladonna, and those who died at the hands of one of South Australia's most notorious abortionists. Said to be the most poetic place in Adelaide, in this heritage-listed burial ground the beginnings of the colony of South Australia are still within reach. Amid a sea of weather-bleached monuments, the excavated remains of Australia's oldest crematorium can be seen, and its quietest corner shelters the country's first dedicated military cemetery. From archives, and headstones, the author recovers histories that time and weather threaten to obliterate. Quiet City is a book for everyone who has ever wandered through an old graveyard and wished its stones could speak.

'The Collesses. Theirs is the story of Australia itself. Convicts, bushrangers, cattle thieves, pioneers, punters, graziers, ANZACs; floods and droughts, boom and bust, they lived right through it all. Their story is every bit as comprehensive as Dorothea Mackellar's "I love a sunburnt country". They were right in the thick of our founding cultural history; they helped to make it, helped make this land. From Bird's Eye Corner to the far corner country. Henry Colless's line - corner to corner, through the middle of everything. And it is not a line without trace. George, William, Henry, they each handed on their sterling character - a more telling legacy than money can buy.' Henry Colless, one of the old pioneers. In his mid-teens he set out as a carrier across the Blue Mountains and then further along the track to the northwest. He was still a teenager when he helped his father and his brother establish legendary Come-by-Chance. He was one of the early settlers in Bourke, and later became one of its leading lights; and he drove a great mob of cattle across the corner country to establish the first station at Innamincka. This is his story.

Siblings tells what it is like to grow up with a brother or sister with a disability or illness. The siblings of children with a disability are often the overlooked ones in families struggling to cope.Kate Strohm, a sibling herself, bravely shares the story of her journey from isolation and confusion to greater understanding and acceptance. She provides a forum for other siblings to describe their challenges and provides them with strategies to make sense of their experiences.Through the workshops she has presented around Australia and overseas, Kate has been able to incorporate the experience and wisdom of many families and professionals, and provide clear tools for parents and practitioners to support brothers and sisters of those with a disability.

Are you uncomfortable with the thought of controlled crying? Unwilling to share your bed with your baby for months in an effort to sleep?Parents need facts about infant sleep and development - up-to-date information based on evidence rather than myths, old wives' tales and opinions.The Sensible Sleep Solution is a moderate approach, providing month-to-month advice to guide you through your baby's first year and establish good sleeping habits that can last a lifetime.The Sensible Sleep Solution and the COTSS techniques outlined in this book have been devised and successfully used for many years by Dr Sarah Blunden in her sleep clinic and by Angie Willcocks in her psychology practice. Sarah has experience researching and working with families to diagnose and treat children's sleep problems. Angie's area of interest and expertise is with new parents, helping them to adjust to life with children.Sarah and Angie wrote this book to meet a need they saw in their day-to-day work with parents - the need for a sensible, middle-of-the-road approach to establishing healthy sleep habits in the first year of life.

An English translation of Dada founder Walter Serner's first collection of outlandish short storiesWalter Serner's first story collection, published in German in 1921, brought to narrative form the philosophy of his earlier Dada manifesto/handbook, Last Loosening: A Handbook for the Con Artist & Those Who Wish to Be One--life is a con job and demands the skills of a swindler. With its depiction of a world of appearances in which nothing can be trusted, At the Blue Monkey helped establish the ex-doctor and renounced Dadaist as a literary "Maupaussant of crime" and offers in this first English translation 33 stories of criminals, con artists and prostitutes engaged in varieties of financial insolvency, embezzlement, sexual hijinks, long and short cons, and dalliances with venereal diseases and drugs. Told in a baroque, sometimes baffling poetry of underworld slang in an urban world of bars and rent-a-rooms, these short tales are presented to the reader like so many three-card Montes in which readers come to realize too late that they may well themselves be the literary mark. Walter Serner (1889-1942) helped found the Dada movement and embodied its most cynical and anarchic aspects. After breaking with the movement, he began publishing crime stories and the 1925 novel The Tigress. Moving constantly across Europe, he eventually disappeared and was rumored to have vanished into the criminal milieu he wrote about; in fact he had returned to Czechoslovakia, married and become a schoolteacher. In 1942, he and his wife presumably died after being moved from a concentration camp, his books banned and burned by the Nazis.

Zalman Shneour's inaugural novel: a story of suicide in the form of a diaryIn a Yiddish take on Notes from Underground, a dark love affair develops in an unnamed Eastern European city between the young, impoverished, violently self-loathing teacher, Shloyme--and a hungry, spiteful and unsettlingly sensual revolver. Ostensibly purchased to protect Shloyme from the pogroms sweeping the empire, the weapon instead opens a portal to his innermost demons, and through it he begins his methodical mission to eradicate any remnants of life and humanity in him and pave the way for his self-destruction. A Death takes the form of a diary that follows the Jewish calendar. Written in Yiddish in 1905 and published with immediate success in Warsaw in 1909, A Death utilizes the influences of Dostoyevsky and Schopenhauer to depict a distinctly Jewish experience of uprooted modernity, and presents a lesser-known strand of Jewish decadent literature. This translation of his inaugural novel is Schneour's first appearance in English since 1963. Its exploration of alienation, mental health, toxic masculinity and violence is remarkably contemporary. Born in Shklow, Zalman Shneour (1887-1959) was one of the major figures of Jewish modernity, and was the most popular Yiddish writer between the World Wars. He wrote poetry, prose and plays in both Yiddish and Hebrew. Like many of his generation, his life was spent moving from city to city in search of literary community or escaping political turmoil: from Odessa to Warsaw to Vilne, and on to such Western cities as Bern, Geneva, Berlin, Paris, New York (where he died) and Tel Aviv (where he is buried).

Written by a mathematician, a poet, and a mathematician-poet, this 1969 guide to the ancient Japanese game of Go was not only the first such guide to be published in France (and thereby introduced the centuries-old game of strategy into that country) but something of a subtle Oulipian guidebook to writing strategies and tactics.

Mr. Gica is the world's greatest barber. He holds the world record for sculptural hairstyling and has won three Olympic golds in neck massage. But his specialty is the shave. Mr. Gica's shop has six mirrors on the walls, six sinks, six barber chairs and no employees. Always crowded, its chairs always occupied, the barbershop forms an off-kilter microcosm: a world of melancholic kitsch that includes opera singers, football players, gladiators, the secret police, four lost hippies and other ludic figures--including our superhuman protagonist's ever-lurking antagonist in perpetual disguise, Dorel Vasilescu. Trying on a variety of voices and modes like so many work coats, Curl scissor-snips love poems, mock-critical commentaries with footnotes, dreams, diary entries, streams of words without punctuation, cultural references and a number of rebellious hairs off a number of necks to sculpt a patchwork portrait of universal loneliness. This is the first translation of T.O. Bobe into English. T.O. Bobe (born 1969) is a Romanian poet, novelist and screenwriter living in Bucharest. Two of his books have been finalists for prestigious Romanian ASPRO prizes.

"This first English edition includes the full set of illustrations by Alfred Kubin from the book's 1911 German edition"--Cover.

Originally published as Les dimanches de Jean Dâezert in 1915.

With Psychology of the Rich Aunt, German author Erich Mühsam made his ironic bid for authorial immortality by announcing his discovery that immortality in fact exists--specifically in the person of the Rich Aunt. Through 25 case studies, arranged alphabetically (from Aunt Amalia to Aunt Zerlinde), Mühsam argues his case: the Rich Aunt is able to live forever provided she has a nephew waiting for her demise and for his inheritance. The corollary revealed in these tales, of course, is that a Rich Aunt's eternal rest is directly tied to her nephew's deprivation of said inheritance. The pathways to an immortal's demise can thus be the result of anything from the vagrancies of sexual proclivities or the stock market to the unforeseen expenses of literary ambitions. The Rich Aunt emerges as the enduring fly in the ointment of Church, Family and State, the undoing of fate personified and the transformation of morality into mortality under the aegis of Capital.Originally published in German in 1905, Psychology of the Rich Aunt is a caustically tongue-in-cheek portrayal of greed under capitalism in the bourgeois epoch.Erich Mühsam (1878-1934) was a German-Jewish anarchist writer, poet, playwright, cabaret songwriter and a fierce satirist of the Nazi party. He played a key role in the short-lived Bavarian Soviet Republic, championed the rights of women and homosexuals, advocated for free love and vegetarianism, and opposed capitalism and war. He was brutally murdered in the Oranienburg concentration camp.

District describes, in ten vignettes, the sad, sordid and sinister aspects of a section of an unnamed French city, and the manners in which the ghostlike human entities that live and wither within it are molded, moved and absorbed by its spaces.A noisy metro station, old tenements, buildings going up, along with the fixtures of French communal life: the open-air market, the public garden; the little shops and bars, the lively town square--the ugly and mundane, the coarse and unmentionable sit side by side with the occasionally burgeoning bit of beauty. With a sense of voyeuristic tension and queasy complicity, the reader is taken on an outcast's tour of city life--from construction site to metro, from bar to brothel--an analysis of communal living in the conditional tense from the perspective of the absolute exile. One of Duvert's last books, it is also one of his shortest: an unexpected return to the roving, fractured eye of the Nouveau Roman that had informed his earliest work.

"Originally published as Mein Papa und die Jungfrau von Orlâeans: Nebst anderen Grotesken (Mèunchen: Kurt Wolff Verlag, 1921)."--Title page verso.

"Originally published as Das widerspenstige Brautbett und andere Grotesken (Mèunchen: Kurt Wolff Verlag, 1921)."--Title page verso.

"Originally published as 'Das Schwein in poetischer, mitologischer und sittengeschichtlicher Beziehung' in 1900 in Zeurcher Diskussjonen."--Title page verso.

A philosophical fable from a great forgotten German fabulistBilled by its author--the pseudonymous Mynona (German for "anonymous" backward)--as "the most profound magical experiment since Nostradamus," The Creator tells the tale of Gumprecht Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary philosophical ruminations. At first dreaming and then actually encountering an enticing young woman named Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron, who has been using her as a guinea pig in his metaphysical experiments. But the Baron catches up with them and persuades Gumprecht and Elvira to come to his laboratory, to engage in an experiment to bridge the divide between waking consciousness and dream by entering a mirror engineered to bend and blend realities. Mynona's philosophical fable was described by the legendary German publisher Kurt Wolff as "a station farther on the imaginative train of thought of Hoffmann, Villiers, Poe, etc.," when it appeared in 1920, with illustrations by Alfred Kubin (included here). With this first English-language edition, Wakefield Press introduces the work of a great forgotten German fabulist. Mentioned in his day in the same breath as Kafka, Mynona, aka Salomo Friedlaender (1871-1946), was a perfectly functioning split personality: a serious philosopher by day (author of Friedrich Nietzsche: An Intellectual Biography and Kant for Children) and a literary absurdist by night, who composed black humored tales he called Grostesken. His friends and fans included Martin Buber, Walter Benjamin and Karl Kraus.

A manuscript of obscenely erotic poetry from Pierre Louÿs, written in secret and published after his deathBy turns amusing and offensive, Pierre Louÿs' Pybrac is possibly the filthiest collection of poetry ever published, and offers a taste of what the Marquis de Sade might have produced if he had ever turned his hand to verse. First published posthumously in 1927, Pybrac was, with The Young Girl's Handbook of Good Manners, one of the first of Louÿs' secret erotic manuscripts to see clandestine publication. Composed of 313 rhymed alexandrine quatrains, the majority of them starting with the phrase "I do not like to see...," Pybrac is in form a mockery of sixteenth-century chancellor poet Guy Du Faur, Seigneur de Pibrac, whose moralizing quatrains were common literary fare for young French readers until the nineteenth century. Louÿs spent his life coming up with his own ever-growing collection of rhymed moral precepts (suitable only for adult readers): a dizzying litany describing everything he "disliked" witnessing, from lesbianism, sodomy, incest and prostitution to perversions extreme enough to give even a modern reader pause. With the rest of his erotic manuscripts, the original collection of over 2,000 quatrains was auctioned off and scattered throughout private collections; but like everything erotic, what remains, collected here, conveys an impression of unending absurdity and near-hypnotic obsession.

First edited and published by Marcel Marien in 1968 in a limited edition of 230 copies, half a year after Paul Nougâe's death, The Subversion of Images is a miniature classic in both the photobook and surrealist canons. It collects Nougâe's notes and photographs from 1929-30 to form a guidebook to the surrealist image. Nougâe here outlines his conception of the object and the surrealist approach to it, while also offering an accompaniment to the visual work of his colleague, Renâe Magritte, whose paintings he sometimes titled. How might a tangle of string elicit terror? How might the suppression of an object move one to sentimentality? What is the effect of a pair of gloves on a loaf of sliced bread? Nougâe's accompanying photographs explore these notions, and feature a number of his Belgian surrealist colleagues. This translation is presented as a facsimile of the original edition, with an afterword by Xavier Canonne, director of the Musâee de la Photographie.

Raw and beautiful and completely devoid of pretension, Ali Whitelock's poems will speak to anyone who's ever messed up, been confused, wished they'd done things differently; to anyone who's had an affair and regretted it, who's been loved completely but was too blind to see it.