Bøger udgivet af Wesleyan University Press

Poetry that acts as a fierce and loving resistance to violence

"[Hillman's] work is fierce but loving, risk-taking, and beautiful." --Harvard ReviewFinalist for the Four Quartets Prize, given by Poetry Society of America, 2023An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the life Do you love a living person absolutely? Tell them now.In a half-unwieldy life you made, underthe hyaline sky, while the dead drank from zigzag pools nearby, if they saved you in your wild incapacities, in timing of the world's harmin a little pettiness in your own heart while others took your madrigals in shreds to a tribunal, when others said you should feel grateful to be minimally adequate for the world'striple exposure or some tired committee... The ones who love us, how do theybreak through our defenses? We're tired today. Come back later.Their baffled voices melting our wax wallswith a candle, the ones who understandwhat being is--the glowing, the broken, the wheels, the brave ones-- they have their courage, you have yours; when you meet the one you love, it is so rare. When you meetthe one who loves you, it is extremely rare.

This account of two siblings, one with Down syndrome, growing up in 1970s Connecticut is ';rich in character, humor, hard-earned insights, and love' (Rachel Simon, author of Riding the Bus with My Sister).Nothing Special is a disarmingly candid tale of two sisters growing up in the 1970s in rural Connecticut. Older sister Chris, who has Down syndrome, is an extrovert with a knack for getting what she wants, while the author, her younger, typically developing sister, shoulders the burdens and grief of her parents, especially their father's alcoholism. Dianne Bilyak details wrestling with their mixed emotions in vignettes that range from heartrending to laugh-out-loud funny, including anecdotes about Chris's habit of faux-smoking Popsicle sticks or partying through the night with her invisible friends. Poet and disability advocate Bilyak strikes a rare balance between poignant and hilarious as she paints a compassionate and critical real-world picture of their lives. They struggle, separately and together, with the tension between dependence and independence, the complexities of giving versus receiving, the pressure to live as others expect, and in the end, the wonderful liberation of self-acceptance.';With charming specificity and hilarity, Bilyak writes frankly about her own identity, and that of her sister's, comparing her own self-consciousness with her sister's striking lack thereof... Bilyak hits home something that we so badly need to hear right now: that people with disabilities are not a monolith, and that there is no perfect way to love or be loved by them.' Bekah Brunstetter, writer and producer for NBC's This is Us

An innovative guide to anatomy that uses techniques from yoga and dance to increase awareness of the body.

Martin Marty, in his new introduction for the Wesleyan reissue of H. Richard Niebuhr's The Kingdom of God in America, call it "a classic." First published in 1938, "It remains the classic reflection of the Protestant roots and ethos behind pluralistic America and its religions today." Marty notes that the new "raw and rich pluralism" that challenges the Protestant hegemony in American life has left many Protestants longing to "get back to their roots." Niebuhr's book, perhaps more than any other, identified and describes those roots for Protestants, especially Congregationalists, Episcopalians, Presbyterians, Methodists, Quakers, Baptists, and Lutherans.Marty writes, "Most remarkably, Niebuhr began to chronicle the spiritual disease that was afflicting mainstream Protestantism years before the resulting losses were to become apparent."H. Richard Niebuhr was one of the most noted of American theologians. Among his books are several that are regarded as classics of American religious thought, The Kingdom of God in America, The Social Sources of Denominationalism, and Christ and Culture. He was both a pastor and a scholar; he was ordained in 1916 by the Evangelical and Reformed Church after being graduated from Elmhurst College in 1912 and from Eden Theological Seminary in 1915. He served a pastorate in St. Louis, Missouri, from 1916 to 1918, and joined Eden Theological Seminary as a professor. He became president of Elmhurst College, then taught at Yale Divinity School from 1931 to 1962. Niebuhr was named Sterling Professor of Theology and Christian Ethics in 1954. He died in 1962."One of our most valuable interpretations of American religious history."-Robert Hastings Nichols"A truly seminal book."-Perry Miller

In four impressively researched essays Georg Iggers recounts the transformation of historical studies in Europe during the twentieth century, with particular emphasis on the historiography of the past fifteen years. Although the book does survey a broad area of contemporary historical thought, it is primarily a careful analytical examination of the methodological and theoretical reorientation of certain influential European historians.The first essay discusses the emergence at German Universities during the eighteenth and nineteenth centuries of the concept of history as a scientific discipline, distinct from the classical tradition of literary history, and the later broad acceptance of this mode of Enquiry in the Western world. Against this background Mr. Iggers then considers the challenge to this mode of the political, social, and intellectual upheavals of the twentieth century, especially after World War II.The three essays following examine important attempts to develop alternate paradigms for historical study: the French historians of the Annales tradition; the German political historians of the 1960s; the various Marxist historians of France, Poland, East Germany, and Great Britain.In despite of the frequent insistence by philosophers and theorists of history that history is not a science in contemporary terms, historians themselves have striven in recent years to strengthen the quantitative aspects of historical study, moving away from traditional patterns of writing and adopting methods and concepts from the systematic social sciences. Mr. Iggers' book is an excellent introduction to these contemporary changes in historiography, and in its comparative analyses itself makes a contribution to historical studies.

Continued is a selection of poems by Piotr Sommer, spanning his career to date. A kind of poetic utterance, these "talk poems" are devoid of any singsong quality yet faithfully preserve all the melodies and rhythms of colloquial speech. Events and objects of ordinary, everyday life are related and described by the speaker in a deliberately deadpan manner. Yet a closer look at the language he uses, with all its ironic inflections and subtle "intermeanings," reveals that the poem's "message" should be identified more with the way it is spoken than with what it says. The poems in this volume were translated into English with the help of other notable poets, writers, and translators, including John Ashbery, D.J. Enright, and Douglas Dunn.

A seminal and original work that delves deeply into what slaveholders thought."Outstanding . . . One of the few books that systematically explores what slaveholders thought. A great book, essential for black history courses and for intellectual studies"-- John Blassingame."Required Reading for every serious scholar in the field." - F. N. Boney, The American Historical Review"I recommend this volume to the attention of all conservatives, students of historiography, and historians of the South.. Genovese is perfecting the instrument of Marxist historical scholarship. Those of us who are otherwise persuaded should even now prepare to answer. For he is clearly the variety of Marxist we can ignore only at some peril. - M. E. Bradford, National Review"Sparkles with originality . a most important contribution." -J. H. Plumb, New York Review of Books"The book is full of fresh material and striking instances of analysis.. [It] also contains a large number of obiter dicta that will inspire readers to make novel economic studies and adopt unconventional lines of thought." - Allan Nevins, Saturday ReviewEUGENE D. GENOVESE is Distinguished Professor of Arts and Sciences in the College of Arts and Sciences at the University of Rochester. In 1987-1988 he was on leave at the Humanities Research Center in Research Triangle Park, North Carolina, and in 1988-89 he was visiting professor at William and Mary.

The first volume of a highly acclaimed series, following its anti-hero in small-town American life.

Theorising the experiences of black and brown bodies in hip hop dance, it brings together a bold methodology, an interdisciplinary perspective and a rich array of primary sources.