Bøger udgivet af Wilfrid Laurier University Press

The eight papers in this volume were originally presented at the centennial conference on Franz Kafka held at the University of Calgary in October 1983. As diverse in approach and methodology as these papers are "the general drift of the volume is away from Germanistik towards 'state-of-the-art' methods."The opening articles by Charles Bernheimer and James Rolleston both deal with the similarities and contrasts between Kafka and Flaubert, with Bernheimer focusing on the "I" and the dilemma of narration in Kafka's early story, "Wedding Preparation in the Country," and Rolleston on the time-dimensions in the Kafka's work that link him to the Romantics. Other articles in the volume deal with the complex interrelationships between author and narrator, and implied author and implied reader; with Kafka's place in the European fable tradition and in classic and Romantic religious traditions; with Kafka's diaries; and with his female protagonists.

The author of an authoritative work on this topic in Swiss society now draws a comprehensive picture of Belgium's linguistic demarcations. Firmly rooting the discussion in an historical background, the author discusses group images and attitudes and the constitutional and institutional framework for multilingualism that exists in Belgium. Yet, as the title of the series would suggest, conflicts do lead to compromises, and the study concludes with a penetrating look at contemporary problems in Belgium - problems stemming from the very richness of multilingual culture. This analysis of Belgium is concerned not only with conflict between language groups as such, but with evolving relationships between language diversity and economic development, language diversity and distributional fairness, language cleavage and other societal cleavages, and the implication of language diversity for democratic politics.

The Ogoki River Guides describes the prolonged struggle that members of a small native community in northern Ontario have undertaken in their attempt to establish a viable local economy. The leaders of Collins, the community in which the events of the book take place, have made a concerted effort to ensure that the community takes charge of its own affairs and in doing so have generated some important lessons for governmental policy in northern areas. The study makes evident the fact that certain changes in current government practices are needed, especially in areas of local inputs into policy and control issues, if community-based groups like Ogoki River Guides are to flourish and if real local initiatives in economic development has a chance to become a widespread pattern in northern areas. The suggestions, then, is that studies such as the present one which focus on the economic development projects of the native community are necessary in order to help orient government policy and planning. The author uses as exchange theory approach to study the conditions favouring emergent community leadership and to analyse the ways in which political activity in small communities is apt to change under particular conditions and stresses. Yet he also demonstrates some of the inadequacies of exchange theory itself, especially in terms of its difficulty in accounting for variations in historical and cultural change. The Ogoki River Guides should be of interest not only to those in the academic community, but also to those concerned with native affairs at the community level or in higher administrative capacities of planning, policy, and development.

What moral and legal issues are involved in the physician-patient relationship? What is bioethics? What social and environmental factors are involved in health and disease? An interdisciplinary workshop of the Calgary Institute for the Humanities in May 1980 considered these issues, as well as health care delivery, the history of public health in Canada, conflicting "health cultures," and responsibilities of professionals on the health care team. Participating in the conference were prominent scholars and professionals in social edicine, community health, nursing, law, medical research, medical education, and various academic disciplines. They included Dr. Thomas McKeown, Dr. David Roy, Professor Hazel Weidman, Professor Benjamin Freedman, Dr. Anthony Lam, and Dr. Robert Hatfield.

Mysticism is condemned as often as it is praised. Much of the condemnation comes from mysticism's apparent disregard of morality and ethics. For mystics, the experience of "union" transcends all moral concern. In this careful examination of the works of such practitioners or examiners of mysticism as Paul Tillich, Thomas Merton, Evelyn Underhill, and Martin Buber, the author posits a spectrum of uneasy relationships between mysticism and morality. Horne explores the polarities of apophatic (imageless) and imaginative mysticism, the contemplative and the active life, and morality and amorality. He stresses the importance of the distinction between "proper-name" (entirely personal) morality and "social" morality, for the history of Christian mysticism is a mix of minimal moral concern, proper-name morality, and social morality. The volume will be of interest to students of religious experience, ethics, and the recent history of mysticism. Carefully reasoned and documented, the argument is couched in clear prose, easily accessible to lay readers as well as to scholars.

The editor provides an important new scholarly tool for locating and understanding the enormous expansion of scholarly research dealing with the sociology of Canadian Mennonites, Hutterites and Amish. Although the book includes research from American scholars, the editor devotes special attention to Canadian works concerning these important and interesting minorities. Using the tripartite division of Mennonites, Hutterites and Amish, the bibliography includes 800 entries each with a concise summary and evaluation. The entries are listed under the subheadings: books, theses, articles and unpublished manuscripts. Preceding the bibliography itself is an essay by the editor originally presented to the Canadian Sociology and Anthropology Association. The essay outlines the differing conceptual assumptions of the researchers included in the book, the major methodologies employed and the main conclusions to be drawn from their work.

Despite the painstaking work of Pound scholars, the mythos of The Cantos has yet to be properly understood - primarily because until now its occult sources have not been examined sufficiently. Drawing upon archival as well as recently published material, this study traces Pound's intimate engagement with specific occultists (W.B. Yeats, Allen Upward, Alfred Orage, and G.R.S. Mead) and their ideas. The author argues that speculative occultism was a major factor in the evolution of Pound's extraordinary aesthetic and religious sensibility, much noticed in Pound criticism. The discussion falls into two sections. The first section details Pound's interest in particular occult movements. It describes the tradition of Hellenistic occultism from Eleusis to the present, and establishes that Pound's contact with the occult began at least as early as his undergraduate years and that he came to London already primed on the occult. Many of his London acquaintances were unquestionably occultists. The second section outlines a tripartite schema for The Cantos (katabasis/dromena/epopteia) which, in turn, is applied to the poem. It is argued here that The Cantos is structured on the model of a initiation rather than a journey, and that the poem does not so much describe an initiation rite as enact one for the reader. In exploring and attempting to understand Pounds' occultism and its implications to his [Pounds'] oeuvre, Tryphonopoulos sheds new light upon one of the great works of modern Western literature.

Defines what is essential to democracy beyond its institutional manifestations; namely, representative institutions, popular suffrage, and political parties. First presented in Chile in 1986, the essay foresees a republican solution for the problems generated by the neoliberal democratic system inherited from Pinochet's dictatorship.

Although Anna Karenina has been described as "the European novel" by Frank Leavis, the geographical setting of the novel and, increasingly, its temporal and cultural setting, render it a foreign novel to most readers. A Karenina Companion offers a wealth of information, including a great deal that has previously not been available in English, for the scholarly and literary appreciation of this great novel. Chapter 1 is a biographical introduction and Chapter 2 an examination of the way in which the novel was composed. In Chapter 3 the author brings together Tolstoi's own substantial comments on his work. Chapter 4 adduces the main differences between the latest edition of the text and what has been the standard edition for over 50 years. Chapter 5 outlines what Tolstoi was reading as he was writing the novel. The final chapter provides a survey of significant secondary literature, with English-language works listed in appendices. A Karenina Companion will facilitate both the reading and understanding of the novel by English speakers and the writing of informed and reliable critical appreciations.

A study of modern Muslim ethics, focussed upon the lives and writings of Sayyid Ahmad Khan and Mawlana Mawdudi, this volume sheds light upon the modern ethical problems of contemporary Islam.

The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book s synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.

An edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries. Collectively, the chapters articulate a poetics of the personal library within its extended social, aesthetic and cultural contexts.

Explores how cities are changing. Of interest to readers of urban design and urban planning, the book illustrates what is valued, what is destroyed/discarded, and includes photographs of commonplace settings rather than celebratory or conventionally beautiful images.

Essay collection on Leonard Cohen's work organized by the concept of 'the contemporary', which helps to explain Cohen's staying power and existential depth. The chapters offer related but diverse perspectives - historical, artistic, spiritual - on his songs, poems, novels, and drawings, and examine how Cohen's different types of art fit together.

A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada's media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices.

How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning.

Violence in families and intimate relationships affects a significant proportion of the population - from very young children to the elderly. Cruel but Not Unusual draws on the expertise of scholars and practitioners to present readers with the latest research and thinking about the history, conditions, and impact of violence in these contexts.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing. Since the 1970s non-Indigenous scholars have perpetrated the notion that Indigenous people were disinclined to talk about their lives and underscored the assumption that autobiography is a European invention. Deanna Reder challenges such long held assumptions by calling attention to longstanding autobiographical practices that are engrained in Cree and M tis, or n hiyawak, culture and examining a series of examples of Indigenous life writing. Blended with family stories and drawing on original historical research, Reder examines censored and suppressed writing by n hiyawak intellectuals such as Maria Campbell, Edward Ahenakew, and James Brady. Grounded in n hiyawak ontologies and epistemologies that consider life stories to be an intergenerational conduit to pass on knowledge about a shared world, this study encourages a widespread re-evaluation of past and present engagement with Indigenous storytelling forms across scholarly disciplines

Scratching River braids the voices of mother, brother, sister, ancestor, and river to create a story about environmental, personal, and collective healing. This memoir revolves around a search for home for the author s older brother, who is both autistic and schizophrenic, and an unexpected emotional journey that led to acceptance, understanding and, ultimately, reconciliation. Michelle Porter brings together the oral history of a M tis ancestor, studies of river morphology, and news clippings about abuse her older brother endured at a rural Alberta group home to tell a tale about love, survival, and hope. This book is a voice in your ear, urging you to explore your own braided histories and relationships.

In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar factory in Germany: Deutsche Zigarren-Werke. When his competitors, supported by Nazi authorities, tried to shut it down, the headstrong entrepreneur refused to give up the fight.

The poems in this selection are drawn from Otiono's two pulished collections, Voices in the Rainbow, and Love in a Time of Nightmares, and includes previously unpublished new poems. Peter Midgley's introduction contextualizes Otiono's work within the frame of diaspora and newer critical frames like Afropolitanism.

Explores the different literary, historical and cultural legacies of Canada's sesquicentennial celebrations. The book asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed.

The first full-length study of prison life writing, this book shows how the autobiographical literature of incarcerated people is consistently based on a conversion narrative, the same narrative that underpins prison rehabilitation.

Considers relationships between animals and humans in the iconic spaces of postcolonial India: the wild, the body, the home, and the city. Using a range of texts, including fiction, journalism, life writing, film, and visual art, this book argues that a uniquely Indian way of being modern is born in these spaces of disorderly multispecies living.

The diary of David Watson, who rose through the officer ranks to command one of the four divisions in the Great War, is an exceptional document that details with candid insight the responsibilities of senior command and shows the talent required to rise through the CEF to divisional command. The only published diary of a Canadian who held this rank in the last two (critical) years of the war, it focuses on the evolution of military leadership and associated challenges that Watson (and his peers) faced during the Great War. It recounts how he navigated not only the military battlefield in France and Belgium but also the political battlefield of the Canadian Expeditionary Force and larger British Expeditionary Force. The divisional commanders played a central role in the Corps transformation into a first-rate professional army, a transformation that coincided with Watson s tenure at the 4th Division. Major-General David Watson s personal accounts offer valuable insights into the innermost workings of the Canadian Corps at various stages during the war and in particular its emergence as an elite fighting force and the pride of a nation

Twenty literary critics engage a variety of genres - essay, life writing, testament, polemic, poetry - to explore the ways Canadian cultural production has been shaped by social and historical relations and can be given new and various forms to decolonize the institutions associated with the creation of this country's vision of Canadian literature.

The baby boomers and postwar suburbia remain a touchstone. For many, there is a belief that it has never been as good for youngsters and their families, as it was in the postwar years. Boom Kids explores the triumphs and challenges of childhood and adolescence in Calgary's postwar suburbs.

In Reliving the Trenches, three plays written by returned soldiers who served in the Great War with the Canadian Expeditionary Force in France and Belgium appear in print for the first time. With a critical introduction that references the authors' service files to establish the plays as memoirs, these plays are an important addition to Canadian literature of the Great War. Important but overlooked war memoirs that relive trench life and warfare as experienced by combat veterans, the three plays include The P.B.I., written and staged in 1920 by recently returned veterans at the University of Toronto. Parts of this play appeared in print in serial form in 1922. Glory Hole, written in 1929 by William Stabler Atkinson, and Dawn in Heaven, written and staged in Winnipeg in 1934 by Simon Jauvoish, have never been published. These plays impact Canadian literature and theatre history by revealing a body of previously unknown modernist writing, and they impact life writing studies by showing how memoirs can be concealed behind genre conventions. They offer fascinating details of the daily routines of the soldiers in the trenches by bringing them back to life in theatrical re-enactment.

Lillian Allen is one of the leading creative Black feminist voices in Canada. Her work has been foundational to the dub poetry movement. Make the World New brings together some of the highlights of Allen's work in a single volume, the first book of her poems to be published in over twenty years.

Examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. The book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how Canada shapes these performances.