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During the strange and unsettling second year of COVID-19, Margaret Randall suddenly found herself writing short stories. The author of over 150 books of poetry, essays, biography, nonfiction and translations, Lupe's Dream and Other Stories is her first collection of fiction. These stories are as unsettling as the times. In one way or another, each references life in a near-future where scarcities have become dramatic, space strangely unfamiliar, and time moves in unexpected directions. After several intense months of writing, the stories stopped as mysteriously as they'd begun.
Matthew Dickerson takes readers from the headwaters of the Colorado River in Wyoming to the Crown of the Continent in Glacier National Park. In the midst of the lovingly described beauty of these places, readers will learn about the science, history, conservation, and restoration of an important native fish - the cutthroat trout.
Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.
This collection of poetry grew out of the first months of the 2020 COVID-19 pandemic. The poems reflect the fear, isolation, and horror we felt as society - as we watched public life close down, people were urged to stay distant from one another, wear face masks, and wash our hands frequently.
Very little medieval secular music was written down, especially secular dance music. Five Medieval Dances preserves what were likely some of the most popular pieces of the 13th and 14th centuries, drawn from Le Manuscrit du Roi in the Bibliotheque Nationale de France.
Time's Language contains powerful poems of witness as well as personal poems, and autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. As US Poet Laureate Juan Felipe Herrera writes, "e;Here are Margaret Randall's decades of love, ink, tears, contestation and light-let us bow in gratitude for this truth-telling, daring, border-breaking, pioneering long-time volume of soul fire."e;
Takes readers from an Applachian trout stream in western North Carolina where wild trout are reduced to sipping cigarette butts, up through the author's home state of Vermont where development and the ski industry threaten the state's iconic pastoral riversides, and finally into western Maine to a once dead river that has returned to life.
Margaret Randall's first large book of poems since Time's Language: Selected Poems 1959-2018. This new book shows that this poet continues to be a relevant and inspiring voice in American letters. It is also a stellar example of contemporary, intelligent protest poetry by a significant writer.
Offers a rich, cross-genre combination of writing and art that functions as a multi-faceted commentary on Emily Dickinson, art and the creative process. Forty-one American poets contributed poems written in response to the artwork.
Enrico Castelnuovo's The Moncalvos was originally published in 1908 in Italian. This is the first English translation of this famous novelist's most controversial title. Set at the turn of the 20th century, 50 years after Garibaldi's revolution and the unification of Italy, the Jewish residents of Italy have come into their own as landowners, academics, business people, and financiers. But one branch of the Moncalvos family yearns for the level of respectability that only an aristocratic title can confer. This requires much political maneuvering, but it also requires conversion to Catholicism. Two brothers, a mathematician and a banker, and their children, take very different routes through this maze.
Few poets of Western America fill the "e;organic intellectual"e; role better than David Lee. His poetry is the real deal when it comes to recording hilariously insightful (and linguistically accurate) observations of rural culture-and America at large-while using a host of astute literary allusions and techniques. Imagine Robert Frost simultaneously channeling Will Rogers and Ezra Pound. Imagine Chaucer with a twang. Bluebonnets, Firewheels, and Brown-Eyed Susans is focused on the women of mid-20th century rural Texas: frontier survivors and the daughters of frontier survivors, indomitable women with tastes that run from Baptist preaching to bourbon-and-branchwater. No element of hypocrisy escapes the poet's lethal attention. This is an authentic book of the mid 20th century based on actual characters, a paen to women who shaped and molded the poet's life. It is in many ways a folkloric study of women in hard times: characters, survivors, intellects, harbingers, anonymous influencers. Utah's first and longest serving Poet Laureate, Lee has received both the Mountains & Plains Booksellers Award in Poetry and the Western States Book Award in Poetry.
Margaret Randall's new collection, She Becomes Time, continues her legacy of poetry that combines the intimate with the global, history with feeling, memory with the world we touch and see, showing - always in surprising ways - how these impact and intersect each other.
Dave Oliphant is widely considered the finest poetry critic ever produced by Texas. This volume brings together some 40 years of essays, articles, and reviews on the topic of Texas poetry -- its history as well as addressing individual poets and their books. Only one other book in the last two decades addressed the topic, and Generations of Texas Poets is larger, more comprehensive, and of superior literary quality. In 1971, Larry McMurtry famously descried the lack of good Texas poetry; Oliphant has spent a lifetime nurturing it, publishing it, and has become its best critic.
San Antonio Express-News poetry columnist Robert Bonazzi gathers 20 years of reviews and profiles, essays and articles in Outside the Margins. Bonazzi focuses on poets and writers from Texas, the Southwest, Mexico and Latin America. His criticism finds threads of mutual interests, shared sources of inspiration, and stylistic confluences.
A strange history of family secrets, including madness and suicide, emerged along the way, this is the author's memoir of his sixty-year pursuit of Mendez Marks, "a verbal example of a contained-space sculpture." It is a biography wrapped in a memoir wrapped in a psychological case study of a brilliant, original soul.
Features 47 poems and 47 colour photographs that explore the history, culture, and ecology of the state of Mississippi. The epigraph for the book is taken from Theodore Roethke's ""North American Sequence"": ""The imperishable quiet at the heart of form."" This quietness to be found by contemplating the photographs of Maude Schuyler Clay was at the heart of Ann Fisher-Wirth's poetic process.
Includes poems by over 80 poets who remember the '60s from a wide range of vantage points. This collection brings to life the experiences of people who vividly remember the effects of the assassinations of JFK, Malcolm X, and Martin Luther King, who lived through the period of the Vietnam War, and who experienced the rise of Second-Wave Feminism, the Civil Rights Act and the emergence of the Black Power Movement.
Describes and revels in the changes in the author's life when he and his wife moved out of San Antonio, into a country place in the small town of Lytle, Texas. Dedicated to the fine Texas poet, Robert Burlingame, West's focus on the dayliness of the natural world and the wonder of it to new eyes, is a celebration in keeping with Burlingame's voice and vision.
Explores the life of the author, from her Depression-era childhood in Tennessee to her adolescence in the Hill Country of Texas, from life as a small town cheerleader to life as a world-travelling author, from the child of a hard scrabble farmer to that of a semi-retired rancher.
The Morning After is Margaret Randall's 30th poetry collection and eleventh with Wings Press. The title poem was written, as so many in this country were, the morning after the November 8, 2016 presidential election: "e;I wish there was a pill for that,"e; is one of its lines. But Randall doesn't stay with anger, irony, or a pamphleteering voice. Her work goes much deeper, grappling with ageless concerns and unexpected details. Throughout this volume there is a concern with time, place, and memory; intimate landscape; mature love; the current threat to the richness of language; global consciousness; a mapping of human questioning and exploration of identity. In these pages the reader will find George Zimmerman's gun, a herd of buffalo at Standing Rock, rebar, the Super Moon, "e;reptile dysfunction,"e; and multiple choice vs. Socratic wisdom. Reflecting Randall's recent work with translation, several poems take on that practice in its broadest sense. Stylistically, for the first time in half a century she has gone back to her modus of the 1960s and mixed story and prosody with poetry; only now the result is more sophisticated and much harder hitting. The title poem of The Morning After first appeared in two anthologies of poetry responding to the January 2017 presidential inauguration: Resist Much / Obey Little: Inaugural Poems to the Resistance and Truth to Power; and in Spanish translation in Revista Casa de las Américas, Havana, Cuba. The Morning After contains powerful poems of witness as well as personal poems, both of which soar through "e;limitless rooms, unfenced spaces / where our thoughts may procreate / before they change direction,"e; as well as autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. If ever there were a time for the words of Margaret Randall, it is now. Read this book. Howl this book!
Human beings are killing the planet and themselves in the process. Cecile Pineda asks a simple question: Why? An urgent reframing of current ecological thinking, Apology to a Whale addresses what the intersection of relative linguistics and archeology reveals about the present world's power relations, and what the extraordinary communication of plants and animals can teach us. This masterpiece of creative nonfiction is a wild ride on the frontiers of archeo-linguistics in search of the greatest killer on Earth-us.
This collection of poems documents the evolution of a talented and original Texan poet through his 40-year career. Charles "Chip" Dameron explores the complexities of the inner and outer worlds, whether writing about love, death, a bird's wing, or a painting's energy.
Explores the role of the theatre amid the conflicts of immigration, human rights, citizenship, family, and legacy. From the clash of two theatre troupes on stage - one Italian, and the other composed of foreign actors - a new play emerges, revealing the history of Ancient Rome, its forgotten emperors, entangled cultural heritage, and today's unfolding stories on the Mediterranean Sea.
Naomi Shihab Nye is one of the most beloved poets in America, and the poem Famous is literally her most famous poem. At once simple and profound, this illustrated version of the poem is a charmingly ironic take on what it means to be "famous".
Sudeep Sen's Fractals includes a wide swath of his poetry, from 1980 to the present, as well as a representative collection of his translations into English of other poets writing in Bengali, Hindu, Urdu and other languages. Sen's poems are both vivid observations and insightful meditations, often ekphrastic in that they are inspired by other art forms.
When a Brazilian man's face is disfigured, he attempts a grisly self-surgery in this novel of survival.
An award-winning western novelist (NORTH TO YESTERDAY, WANDERER SPRINGS) with decidedly liberal political leanings writes a spiritual autobiography unlike any other. The author grew up in a small west Texas town, attended seminary, became a war correspondent in Vietnam, and taught creative writing and literature for 40 years at Trinity University in San Antonio. With a deep sense of the irony of his project, he sets out to explain how the Bible came to be, delving into historical misconceptions, errors in translation, political and cultural biases, as well as the editorial failings of the Bible's many authors -- and yet, he arrives at a place of ultimate faith. HOLY LITERARY LICENSE is not anyone's traditional Sunday School material, but contemporary, open-minded Christians will find the book both enlightening and inspirational -- and at times, intensely humorous. Flynn, the author of GROWING UP A SULLEN BAPTIST, is known for his wry wit and his humane insight. This work is his masterpiece.
This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.
A journey into the heart of Mexico and a coming home to the spirit of the author's beloved grandmother, this poetry collection documents travels throughout Mexico as well as Costa Rica, France, and the poet's country of birth, the United States.
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