Bøger udgivet af Wings Press

The Morning After is Margaret Randall's 30th poetry collection and eleventh with Wings Press. The title poem was written, as so many in this country were, the morning after the November 8, 2016 presidential election: "e;I wish there was a pill for that,"e; is one of its lines. But Randall doesn't stay with anger, irony, or a pamphleteering voice. Her work goes much deeper, grappling with ageless concerns and unexpected details. Throughout this volume there is a concern with time, place, and memory; intimate landscape; mature love; the current threat to the richness of language; global consciousness; a mapping of human questioning and exploration of identity. In these pages the reader will find George Zimmerman's gun, a herd of buffalo at Standing Rock, rebar, the Super Moon, "e;reptile dysfunction,"e; and multiple choice vs. Socratic wisdom. Reflecting Randall's recent work with translation, several poems take on that practice in its broadest sense. Stylistically, for the first time in half a century she has gone back to her modus of the 1960s and mixed story and prosody with poetry; only now the result is more sophisticated and much harder hitting. The title poem of The Morning After first appeared in two anthologies of poetry responding to the January 2017 presidential inauguration: Resist Much / Obey Little: Inaugural Poems to the Resistance and Truth to Power; and in Spanish translation in Revista Casa de las Américas, Havana, Cuba. The Morning After contains powerful poems of witness as well as personal poems, both of which soar through "e;limitless rooms, unfenced spaces / where our thoughts may procreate / before they change direction,"e; as well as autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. If ever there were a time for the words of Margaret Randall, it is now. Read this book. Howl this book!

Few poets of Western America fill the "e;organic intellectual"e; role better than David Lee. His poetry is the real deal when it comes to recording hilariously insightful (and linguistically accurate) observations of rural culture-and America at large-while using a host of astute literary allusions and techniques. Imagine Robert Frost simultaneously channeling Will Rogers and Ezra Pound. Imagine Chaucer with a twang. Bluebonnets, Firewheels, and Brown-Eyed Susans is focused on the women of mid-20th century rural Texas: frontier survivors and the daughters of frontier survivors, indomitable women with tastes that run from Baptist preaching to bourbon-and-branchwater. No element of hypocrisy escapes the poet's lethal attention. This is an authentic book of the mid 20th century based on actual characters, a paen to women who shaped and molded the poet's life. It is in many ways a folkloric study of women in hard times: characters, survivors, intellects, harbingers, anonymous influencers. Utah's first and longest serving Poet Laureate, Lee has received both the Mountains & Plains Booksellers Award in Poetry and the Western States Book Award in Poetry.

Dave Oliphant is widely considered the finest poetry critic ever produced by Texas. This volume brings together some 40 years of essays, articles, and reviews on the topic of Texas poetry -- its history as well as addressing individual poets and their books. Only one other book in the last two decades addressed the topic, and Generations of Texas Poets is larger, more comprehensive, and of superior literary quality. In 1971, Larry McMurtry famously descried the lack of good Texas poetry; Oliphant has spent a lifetime nurturing it, publishing it, and has become its best critic.

An award-winning western novelist (NORTH TO YESTERDAY, WANDERER SPRINGS) with decidedly liberal political leanings writes a spiritual autobiography unlike any other. The author grew up in a small west Texas town, attended seminary, became a war correspondent in Vietnam, and taught creative writing and literature for 40 years at Trinity University in San Antonio. With a deep sense of the irony of his project, he sets out to explain how the Bible came to be, delving into historical misconceptions, errors in translation, political and cultural biases, as well as the editorial failings of the Bible's many authors -- and yet, he arrives at a place of ultimate faith. HOLY LITERARY LICENSE is not anyone's traditional Sunday School material, but contemporary, open-minded Christians will find the book both enlightening and inspirational -- and at times, intensely humorous. Flynn, the author of GROWING UP A SULLEN BAPTIST, is known for his wry wit and his humane insight. This work is his masterpiece.

This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.

Human beings are killing the planet and themselves in the process. Cecile Pineda asks a simple question: Why? An urgent reframing of current ecological thinking, Apology to a Whale addresses what the intersection of relative linguistics and archeology reveals about the present world's power relations, and what the extraordinary communication of plants and animals can teach us. This masterpiece of creative nonfiction is a wild ride on the frontiers of archeo-linguistics in search of the greatest killer on Earth-us.

In Blood Flower, passionate imagery married to music bursts from each line pushing out the boundaries of Uschuk's earlier poems. It continues themes in Uschuk's American Book Award winner, Crazy Love. The poems braid the startling, sometimes brutal stories of her Russian/Czech immigrant family during the McCarthy Era in a conservative Michigan farming community with stories of courageous individuals, especially women, who persevere to love, despite it all. Uschuk's step-grandfather, father, brother, nephews, and first husband all suffered severe PTSD as combat veterans who returned home from wars that ravished not only their lives, but the lives of the women and children closest to them. This is the history not just of one family but of immigrants in this nation. These poems, although set in landscapes across the globe, commonly draw their imagery and healing from the natural world, the wild world, and the integrity of the human heart.

Providing an interesting glimpse into the steam traction engines and internal combustion tractors that revolutionized the world of farming, this collection focuses on American tractors from the late 1850s to the beginning of the Great Depression. With farm journal advertisements-dating from 1909 through 1929-this account considers how something as ordinary and utilitarian as a tractor seems to have inherent standards of good design, correct proportion, and beauty. Intended for tractor enthusiasts, historians, artists, illustrators, students of industrial design, and graphic art lovers, this fascinating book recounts an important piece of history.

This major poetry collection is a fearless depiction of a Latina living in the best and worst of times.

Depicting the 20th century as a character, this novel explores what happens when that character, dying, passes through a Bardo state-an intermediate state of the soul between death and rebirth.

Filled with powerful imagery, this poem relates the tragic story of Indios, a native woman falsely accused of the death of her children. As it echoes the plight of other women like Indios-including Malinche, Pocahontas, La Llorona, and Medea-this narrative conveys the truth of a history twisted to suit the needs of a conquering power. Weaving Native American history with contemporary situations, this evocative poem focuses on the concept and consequences of the oppression of women.

When a Brazilian man's face is disfigured, he attempts a grisly self-surgery in this novel of survival.

Detailing the natural and human history of Rapa Nui-more commonly known as Easter Island-this extraordinary collection of poems and photographs links together the ancient inhabitants of the most isolated, inhabited spot on earth with common concerns and hopes of the present. Illustrating the unique culture and ongoing struggle to survive against dramatic odds, this volume dramatically depicts the basic desires, misgivings, and challenges that human beings have long faced, regardless of time and place.

Conjuring the voice of Edward Hopper, this powerful collection of poetry investigates the mind of an iconic American painter. Lyrical and beautifully crafted, the poems convey both frightening and amusing messages as "e;Hopper"e; commentates on his own paintings-from the iconic Nighthawks to his depiction of his wife and himself taking a final bow in Two Comedians-as well as those of other artists. Shocking in their honesty, these poems also provide a window into the American Modernist period due to their biographical nature and evaluations of the visual arts.

With gentle yet sardonic wit, this collection of poetry considers the transcultural experience and encourages engaging with the world, both intellectually and emotionally, despite feelings of isolation. Fusing personal, sociopolitical, and ecological concerns, this compilation exposes public as well as private wounds in an accessible and thought-provoking manner. Addressing human rights and gender issues, these significant poems evaluate current predicaments and express hope for a future without them.

Set in 1953, this novel follows 21-year-old Celia Henderson during a month of uncertainty in her life. Visiting Galveston, Texas, a barrier island with its own history of instability and survival, Celia faces a series of conflicts-between a lawless Galveston and a hypocritical, “moral” mainland; between the Old South and the Old West; and between homosexuals and those prejudiced against them. Celia, who narrates her story 30 years after the fact, must also cope with a sexual double standard inherent in her attraction to an unhappy law student. As she interacts with her irrepressible cowboy cousin Emmett Chandler and a Mexican American artist, Louis Platon, Celia grows to accept her own fears and understand others and life's continual uncertainties. While Celia personifies the innocence of the 1950s-seldom as innocent as portrayed-this tale offers an inside look at continual social problems in the U.S.

Xochiquetzal and Javier meet at a resort near Puerto Vallarta and begin a highly erotic love affair of 12 years, which extends beyond, into the Mayan Sixth World. There's a weaving of dreams as they meet crucial people on their travels: Ai from Tokyo, traveling the world to plant peace crystals in honor-and warning-of the bombing of Hiroshima and Nagasaki; Hank, a Hopi man who gives them vital and timely information on the Hopi prophecies; Don Francisco from Oaxaca/Chiapas, a Mayan shaman who brings the wisdom of the coming Mayan Sixth World; and Ari, an Israeli Commando whose family story brings the Jewish Holocaust to light passionately. Everyone eventually meets in San Miguel de Allende, Mexico, where Xochiquetzal and Javier live, and at an all night fiesta at a magical mansion, everyone's personal and collective wounds are revealed and healed.

Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.

During the strange and unsettling second year of COVID-19, Margaret Randall suddenly found herself writing short stories. The author of over 150 books of poetry, essays, biography, nonfiction and translations, Lupe's Dream and Other Stories is her first collection of fiction. These stories are as unsettling as the times. In one way or another, each references life in a near-future where scarcities have become dramatic, space strangely unfamiliar, and time moves in unexpected directions. After several intense months of writing, the stories stopped as mysteriously as they'd begun.

Devil's Tango is a one-woman whirlwind tour of the nuclear industry, seen through the lens of the industrial and planetary crisis unfolding at Fukushima Daiichi. As much personal journal as investigative journalism, the author's journal entries trace her own and the country's evolution of consciousness during the first year following the diaster at Fukushima Daiichi. Pineda keeps track day-by-day of worsening developments at Fukushima Daiichi, and records the daily evolution of her perceptions. Often poetic in tone, philosophic in scope, her reflections are peppered with dramatic monologues,day-to-day reportage, philosophical speculations, meditations, deep song (canto hondo) and occasional flights of fancy, a monoplay, a grand guignol. There is no other book quite like it. John Nichols calls it an "e;astonishing anatomy of he Fukushima Daiichi nuclear disaster,"e; "e;... a revelation, and a searing denunciation of the worldwide nuclear energy industry."e;

Matthew Dickerson takes readers from the headwaters of the Colorado River in Wyoming to the Crown of the Continent in Glacier National Park. In the midst of the lovingly described beauty of these places, readers will learn about the science, history, conservation, and restoration of an important native fish - the cutthroat trout.

This collection of poetry grew out of the first months of the 2020 COVID-19 pandemic. The poems reflect the fear, isolation, and horror we felt as society - as we watched public life close down, people were urged to stay distant from one another, wear face masks, and wash our hands frequently.

Very little medieval secular music was written down, especially secular dance music. Five Medieval Dances preserves what were likely some of the most popular pieces of the 13th and 14th centuries, drawn from Le Manuscrit du Roi in the Bibliotheque Nationale de France.

Margaret Randall's first large book of poems since Time's Language: Selected Poems 1959-2018. This new book shows that this poet continues to be a relevant and inspiring voice in American letters. It is also a stellar example of contemporary, intelligent protest poetry by a significant writer.

Time's Language contains powerful poems of witness as well as personal poems, and autobiographical prose pieces (that read like prose poems), recounting a life of resistance, the life of a life-long literary and political revolutionary. As US Poet Laureate Juan Felipe Herrera writes, "e;Here are Margaret Randall's decades of love, ink, tears, contestation and light-let us bow in gratitude for this truth-telling, daring, border-breaking, pioneering long-time volume of soul fire."e;

Presents work by 25 poets born in Peru between 1926 and 1993. These include some cultural heroes of the 20th century, and many of the voices that define Peruvian political dissent. The book also focuses on a new generations of poets, especially women and indigenous poets born after 1950.

Takes readers from an Applachian trout stream in western North Carolina where wild trout are reduced to sipping cigarette butts, up through the author's home state of Vermont where development and the ski industry threaten the state's iconic pastoral riversides, and finally into western Maine to a once dead river that has returned to life.

Offers a rich, cross-genre combination of writing and art that functions as a multi-faceted commentary on Emily Dickinson, art and the creative process. Forty-one American poets contributed poems written in response to the artwork.

Enrico Castelnuovo's The Moncalvos was originally published in 1908 in Italian. This is the first English translation of this famous novelist's most controversial title. Set at the turn of the 20th century, 50 years after Garibaldi's revolution and the unification of Italy, the Jewish residents of Italy have come into their own as landowners, academics, business people, and financiers. But one branch of the Moncalvos family yearns for the level of respectability that only an aristocratic title can confer. This requires much political maneuvering, but it also requires conversion to Catholicism. Two brothers, a mathematician and a banker, and their children, take very different routes through this maze.