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Brings together leading scholars and activists from around the world studying and challenging racism. In eleven thematically rich and conceptually informed chapters, the contributors interrogate the complex nexus of questions surrounding race and relations of oppression as they are played out in the global South and global North.

An annotated edition of a classic text by South Africa's first black psychologist, a collection of essays reflecting on what it meant to be black during the apartheid years Being-Black-in-the-World, one of N. Chabani Manganyi's first publications, was written in 1973 at a time of global socio-political change and renewed resistance to the brutality of apartheid rule and the emergence of Black Consciousness in the mid-1960s. Manganyi is one of South Africa's most eminent intellectuals and an astute social and political observer. He has written widely on subjects relating to ethno-psychiatry, autobiography, black artists and race. In 2018 Manganyi's memoir, Apartheid and the Making of a Black Psychologist was awarded the prestigious ASSAf (The Academy of Science of South Africa) Humanities Book Award. Publication of Being-Black-in-the-World was delayed until the young Manganyi had left the country to study at Yale University. His publishers feared that the apartheid censorship board and security forces would prohibit him from leaving the country, and perhaps even incarcerate him, for being a 'radical revolutionary'. The book found a limited public circulation in South Africa due to this censorship and original copies were hard to come by. This new edition is an invitation to a younger generation of citizens to engage with early decolonialising thought by an eminent South African intellectual. While the essays in this book are clearly situated in the material and social conditions of that time, they also have a timelessness that speaks to our contemporary concerns regarding black subjectivity, affectivity and corporeality, the persistence of a racial (and racist) order and the possibilities of a renewed de-colonial project. Each of these short essays can be read as self-contained reflections on what it meant to be black during the apartheid years. Manganyi is a master of understatement, and yet this does not stop him from making incisive political criticisms of black subjugation under apartheid. The essays will reward close study for anyone trying to make sense of black subjectivity and the persistence of white insensitivity to black suffering. Ahead of its time, the ideas in this book are an exemplary demonstration of what a thoroughgoing and rigorous de-colonial critique should entail. The re-publication of this classic text is enriched by the inclusion of a foreword and annotation by respected scholars Garth Stevens and Grahame Hayes respectively, and an afterword by public intellectual Njabulo S. Ndebele.

The first collection of essays dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders.

Grounded in an African context with detailed case studies, this book provides rich content that pays careful attention to contextual relevance and contextual responsiveness to both identification and intervention in hearing impairment.

Originally published: Johannesburg: University of the Witwatersrand Press, 1935

More than 125 years ago, a remarkable group of people came together in Cape Town to write down the language and beliefs of the |xam people, a Bushman group that once lived over much of South Africa. The immensely valuable work of Wilhelm Bleek, Lucy Lloyd and their |xam teachers not only preserved a language now no longer spoken, but also provided fascinating insights into |xam cosmology. First published in 2004, Customs and Beliefs of the |xam reproduces Dorothea Bleek's selection of |xam narratives from the well-known Bleek and Lloyd Collection that was originally published in the journal Bantu Studies during the 1930s. Collated and edited by Jeremy Hollman, the extracts include detailed notes on each of the narratives, as well as Bleek's 'sketch' of |xam grammar. This substantially revised second edition integrates new scholarship on the Bleek and Lloyd archive, and restores previously omitted material. The introduction to each narrative has been expanded to contextualise it within the archive as a whole and, where relevant, reference it to the Notebook of which it is a part. This includes meticulous cross-referencing with the Bleek and Lloyd Collection catalogue code and the Notebook number and line reference. Each of the texts has also been critically reassessed, with additional editorial notes and commentaries, in particular with respect to the |xam words themselves and the ways in which they have been translated. A synopsis of each narrative is provided in an appendix, with cross references to the Bleek and Lloyd notebooks. Customs and Beliefs of the |xam, second edition, is an in-depth, detailed and authoritative resource that will be invaluable to scholars, heritage workers and activists alike.

Maps the university's current and future vision as it marks its centenary in 2022The University of the Witwatersrand occupies a special place in the hearts and minds of South Africans. It is a leading university renowned for its commitment to academic excellence, social justice and the advancement of the public good. Its history is inextricably linked with the development of Johannesburg, with mining and economic development, and with political and social activism across the country. Wits University at 100: From Excavation to Innovation captures important moments of Wits' story in celebration of the university's centenary in 2022. It explores Wits' origins, the space and place that it occupies in society, and its transformation as it prepares the ground for the next century. From its humble beginnings as a mining college in Johannesburg to its current position as a flourishing and inclusive university, Wits University at 100 is a story of innovation driven from the global South. In text and image, Wits is presented as a dynamic institution that thrives because of its people, many of whom, in one way or another, have shifted the world. The experiences, achievements and insights of past and present 'Witsies' come alive in this glossy, full-color book that maps the university's vision for the future.

Exploring in detail the twists and turns of the African National Congress' economic and social policy-making during the transition era of the 1990s, this book focuses on the primary question of how and why the ANC, given its historical redistributive stance, did such a dramatic about-face and moved towards an essentially market-dominated approach.

This fifth volume in the New South African Review series takes as its starting point the shock wave emanating from the events at Marikana on 16 August 2012 and how it has reverberated throughout politics and society. Some of the chapters in the volume refer directly to Marikana. In others, the influence of that fateful day is pervasive if not direct.

Dorothea Bleek (1873-1948) devoted her life to completing the 'bushman researches' that her father and aunt had begun in the closing decades of the nineteenth century. This research was partly a labour of familial loyalty to Wilhelm, the acclaimed linguist and language scholar of nineteenth-century Germany and later of the Cape Colony, and to Lucy Lloyd, a self-taught linguist and scholar of bushman languages and folklore; but it was also an expression of Dorothea's commitment to a particular kind of scholarship and an intellectual milieu that saw her spending her entire adult life in the study of the people she called'bushmen'.How has history treated Dorothea Bleek? Has she been recognised as a scholar in her own right, or as someone who merely followed in the footsteps of her famous father and aunt? Was she an adventurer, a woman who travelled across southern Africa driven by intellectual curiosity to learn all she could about the bushmen? Or was she conservative, a researcher who belittled the people she studied and dismissed them as lazy and improvident?These are some of the questions with which Jill Weintroub starts her thoughtful biography of Dorothea Bleek. The book examines Dorothea Bleek's life story and family legacy, her rock art research and her fieldwork in southern Africa, and, in light of these, evaluates her scholarship and contribution to the history of ideas in South Africa. The compelling and surprising narrative reveals an intellectual inheritance intertwined with the story of a woman's life, and argues that Dorothea's life work - her study of the bushmen - was also a sometimes surprising emotional quest.

In the third volume of the Visual Century Collection, the national struggle for democracy is juxtaposed with the challenging art of the time period.Visual Century: South African Art is a four-volume publication that reappraises South African visual art of the 20th century from a postapartheid perspective. It is the only publication that provides an overview of a century of South African art, with in-depth discussion by leading art historians and reproduction of a large number of artworks, providing readers with fresh perspectives on complexities that still resonate today. Bracketed by porous transitional moments in the early 1970s and 1990s, this third volume covers a period characterized by a deepening of the struggle for democracy, a time when historical preoccupations with race were increasingly complemented with growing discourses on class and gender. The chapters address the multiplicity of ways in which artists responded directly and indirectly to the challenges of this period, mostly as individuals but also through organizations. Resistance and complicity, and the spaces between, found expression in the use of everyday themes, biblical sources, ethnically derived themes, subtle and extreme forms of humor, as well as through representations of conflict are all explored. This is a period when challenging art was produced in community arts centers, universities and in public places, a time when the cultural boycott simultaneously united and polarized artists, and exiles mediated the ambivalences of 'home.'

In the opening installment of the Visual Century Collection, the division of South African culture is shown through the polarization of art forms within South Africa.Visual Century: South African Art is a four-volume publication that reappraises South African visual art of the 20th century from a postapartheid perspective. It is the only publication that provides an overview of a century of South African art, with in-depth discussion by leading art historians and reproduction of a large number of artworks, providing readers with fresh perspectives on complexities that still resonate today. The first volume in this series begins after the South African War when efforts were made to unify the white 'races' and the period encompasses two world wars, the incremental dispossession of the rights of black South Africans, and the rise of organized black South African resistance to white rule. This volume provides critical perspectives on the ideological and institutional frameworks for white and black artists of the period, and the art they produced. Discussions of public art and architecture, traditionalist African art, and Western-style painting and sculpture are complemented with consideration of the roles played by museums, training, art societies and exhibitions, art historical writing, and patronage.

The essays in this collection were crafted in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele, all of whom were born in 1919. All four centenarians lived rich and diverse lives across several continents. In the years following the Second World War they produced more than half a century of foundational creative writing and literary criticism, and made stellar contributions to institutions and repertoires of African and black arts and letters in South Africa and internationally. As a result, their oeuvres present multifaceted engagements and generative insights into a wide range of issues, including precolonial existence, colonialism, empire, race, culture, identity, class, the language question, tradition, modernity, exile, Pan-Africanism, and decolonisation. The range of the centenarians' imaginations, critical analyses and social interventions spanned disciplinary divides. This volume, in the same spirit, draws on approaches that are equally transdisciplinary. Two aims thread through the contributors' reflections on the complexities of black existence and of intellectual and cultural life in the twentieth century. The first is the exploration of some of the centenarians' key texts and cultural projects that shaped their legacies. In doing so, the volume contributors trace a number of divergent intellectual and aesthetic lineages in their works and organisational activities. The second aim is a consideration of the ways in which these foundational writers' legacies continue to resonate today, confirming their status as crucial contributors to modern African and diasporic black arts and letters.

Pelong ya ka is a volume of twenty essays and stories written by Sophonia Machabe Mofokeng and first published in 1962 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. In his short life Mofokeng, an expert on African folklore, was also regarded as a gifted exponent of African languages, in particular Southern Sesotho, and this assessment is still valid today.The essays and stories in this collection are largely autobiographical, with the author being both the writer and the main character in them. Their style is in turn meditative, descriptive, narrative and polemic, and the tone of voice of the narrator is characterised by melancholy, humour and satire. The themes span a wide range of human experiences, and reflect Mofokeng's deep personal convictions and passion for freedom, as well as his Christian beliefs . As he says in 'Nako' ('Time'), 'we are worried because we want to live for a long time, as if the most important thing is to live for many decades, but the fact is that we must live our life to the fullest'.His descriptions of his time spent in hospital are filled with insights into the experiences of the patients, doctors and workers he met there, and reflect his gift for observing the details of everyday life, and recounting them with both depth and simplicity.

Current research shows that certain childhood mental disorders are diagnosed more frequently today than in previous generations. Many of today's children and teenagers are more unhappy, anxious and distressed than young people used to be. In this highly informative book, child psychologist Jenny Perkel explores in depth why this might be so, highlighting what modern-day South African children and adolescents are experiencing and the environment in which they are being raised.Children in Mind presents a broad range of up-to-date findings from psychological, neurobiological, genetic, psychiatric, sociological and epidemiological research related to the diagnosis and treatment of children's mental health problems. Theoretically informed but not theoretically dense, the book cites both local and international studies to increase awareness and understanding of children's mental health.Perkel discusses a broad spectrum of issues faced by today's children and adolescents: the Covid-19 pandemic, the influence of electronic media, diverse family structures, stress and trauma, and difficult socio-economic circumstances. While offering no easy answers or formulaic solutions to the problems of troubled children, she shows how to think about children's mental well-being in today's South Africa.Children in Mind is an invaluable resource for all those who work with troubled children and adolescents: psychologists, social workers, counsellors, educators and parents. The author's informed and compassionate approach will help equip professionals and parents to help young people navigate complex issues and make adjustments in their behaviour in order to live more balanced and happier lives.

The xenophobic attacks that started in Alexandra, Johannesburg in May 2008 before quickly spreading around the country caused an outcry across the world and raised many fundamental questions: Of what profound social malaise is xenophobia - and the violence that it inspires - a symptom? Have our economic and political choices created new forms of exclusion that fuel anger and distrust? What consequences does the emergence of xenophobia hold for the idea of an equal, non-racial society as symbolised by a democratic South Africa?On 28 May 2008 the Faculty of Humanities in the University of the Witwatersrand, Johannesburg convened an urgent colloquium that focused on searching for short and long-term solutions. Nearly twenty individuals - mostly Wits academics from a variety of disciplines, but also two student leaders, a journalist and a bishop - addressed the unfolding violence in ways that were conversant with the moment, yet rooted in scholarship and ongoing research. Go Home or Die Here emanates directly from the colloquium. It hopes to make sense of the nuances and trajectories of building a democratic society out of a deeply divided and conflictual past, in the conditions of global recession, heightening inequalities and future uncertainty. The authors hoped to pose questions that would lead both to research and to more informed, reflective forms of public action. With extensive photographs by award-winning photographer Alon Skuy, who covered the violence for The Times newspaper, the volume is passionate and engaged, and aims to stimulate reflection, debate and activism among concerned members of a broad public.

Much has been written about South Africa's "lost generation" --the generation of politicized youth who dedicated their lives to the liberation of a nation, and who have "lost" everything in the process. Young Warriors is about this generation, but it is also a critique of the very concept of a "lost generation." It is the story of activists who have become leaders, provincial premiers and national ministers in our democratic society. While focusing on the lives of the men and women who lived in Diepkloof, a black "township" in South Africa, it is also the narrative of many black South Africans who "grew up" in the organizations of the ANC-led liberation movement.

Presents the essential documents of Khoesan political thought in the nineteenth century. These texts of the Khoesan provide a history of resistance to colonial oppression which has largely faded from view. Robert Ross brings back their voices from the annals of the archive, voices which were formative in the establishment of black nationalism in South Africa.

Ranging from economics, psychology, a spurious rebuttal of evolution to a substantial revisionist history and the perils of the 'machine age', this book is a sombre reflection of intellectual history and the academy's role in promulgating political and social divisions in South Africa.

Presents a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic.

San material culture has been a subject of study for many researchers and archaeologists but rarely has the documented material been seen through the eyes of the people themselves. San Elders Speakis the first attempt to document indigenous knowledge through the voices of four San elders from the Kalahari.

Originally published: Johannesburg: University of the Witwatersrand Press, 1945

An historical drama by Elliot Zondi. The plot is based on the events surrounding the assassination of Shaka, the mighty Zulu king, by his two half-brothers, Dingane and Mhlangana, aided and abetted by his paternal aunt, Mkabayi, in 1828. The play explores the classic theme of the tragic hero's fatal flaws: hubris and overconfidence.

Presents the origin and evolution of all major groups of vertebrates (fishes, amphibians, reptiles, mammals and birds), from fishes in the Cambrian era to humans in the Cenozoic era from a unique African perspective and with South African fossils as examples. The book is aimed at university students and academics.

This revised edition of Bats of Southern and Central Africa builds on the solid foundation of the first edition and supplements the original account of bat species then known to be found in Southern and Central Africa with an additional eight newly described species, bringing the total to 124.

#FeesMustFall, the student revolt that began in October 2015, was an uprising against lack of access to, and financial exclusion from, higher education in South Africa. More broadly, it radically questioned the socio-political dispensation resulting from the 1994 social pact between big business, the ruling elite and the liberation movement. The 2015 revolt links to national and international youth struggles of the recent past and is informed by black consciousness politics and social movements of the international left. Yet, its objectives are more complex than those of earlier struggles. The student movement has challenged the hierarchical, top-down leadership system of university management and it's 'double speak' of professing to act in workers' and students' interests yet entrenching a regressive system for control and governance. University managements, while on one level amenable to change, have also co-opted students into their ranks to create co-responsibility for the highly bureaucratised university financial aid that stands in the way of their social revolution. This book maps the contours of student discontent a year after the start of the #FeesMustFall revolt. Student voices dissect colonialism, improper compromises by the founders of democratic South Africa, feminism, worker rights and meaningful education. In-depth assessments by prominent scholars reflect on the complexities of student activism, its impact on national and university governance, and offer provocative analyses of the power of the revolt.

First published in 1916, Sol Plaatje's Native Life in South Africa was written by one of the South Africa's most talented early twentieth-century black leaders and journalists. Plaatje's pioneering book arose out of an early African National Congress campaign to protest against the discriminatory1913 Natives Land Act. Native Life vividly narrates Plaatje's investigative journeying into South Africa's rural heartlands to report on the effects of the Act and his involvement in the deputation to the British imperial government. At the same time it tells the bigger story of the assault on black rights and opportunities in the newly consolidated Union of South Africa - and the resistance to it. Originally published in war-time London, but about South Africa and its place in the world, Native Life travelled far and wide, being distributed in the United States under the auspices of prominent African-American W E B Du Bois. South African editions were to follow only in the late apartheid period and beyond. The aim of this multi-authored volume is to shed new light on how and why Native Life came into being at a critical historical juncture, and to reflect on how it can be read in relation to South Africa's heightened challenges today. Crucial areas that come under the spotlight in this collection include land, race, history, mobility, belonging, war, the press, law, literature, language, gender, politics, and the state.