Bøger udgivet af Wolsak and Wynn

In this arresting debut collection Ellen Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as she brings her father's, and her own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?

After a lifetime of traversing continents and cities, Mariam Pirbhai found herself in Waterloo, Ontario, and there she began to garden. As she looks to local nurseries, neighbourhood gardens and nature trails for inspiration, she discovers that plants are not so very different from people. They, too, can be uprooted, transplanted - even naturalized. They, too, can behave as a colonizing or invasive species. And they, too, must learn to adapt to a new land before calling it home. In Garden Inventories, Pirbhai brings her scholar's eye, her love of story and an irrepressible sense of humour to bear on the questions of how we interact with the land around us, from what it means to create a garden through the haze of nostalgia, to the way tradition and nature are bound up in cultural ideals such as "cottage country," or even the great Canadian wilderness. Roses, mulberries, tamarinds and Jack pines wend their way through these essays as Pirbhai pays close attention to the stories of the plants, as well as the people, that have accompanied her journey to find home. Throughout, she shows us the layers of history and culture that infuse our understandings of land, place and belonging, revealing how a garden carries within it the story of a life --- of family, home, culture and heritage - if not also the history of a world.

An explosion of pop culture, femininity, sex, religion and motherhood held together with humour and joy, this a collection deeply rooted in the messy day-to-day of life. In traditional poetic forms, it takes on serious issues such as body image, aging, climate change, capitalism and death.