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Clouds Are the Mountains of the World is a suspenseful novel-in-stories set in a surreal, dystopian near-future. In beautifully written, spell-binding prose, it dramatizes the heroic quest of three women-mother, daughter, granddaughter-to reunite in a post-apocalyptic future filled with gun-toting bands of militias, corrupt police, crazy radio talk-show hosts, racism, and economic and political chaos. This is the story of their determination to survive with resilience, love, and stoic humor. Mixing terrifying suspense, riveting slice-of-life episodes, terrifying encounters, heart-warming scenes and splashes of dark humor, Davis narrates a gripping, powerful literary thriller about our human need to connect and endure.

In the summer of 2016, Barrie Miskin faced a pivotal moment when her pregnancy prompted the discontinuation of a decade-long antidepressant regimen, setting off an unforeseen chain of events. By January 2017, she had become a stranger to her family and herself, navigating the complex and often unforgiving landscape of mental healthcare in the United States. Through encounters marked by compassion and cruelty, Barrie's family embarked on a desperate quest for a diagnosis, ultimately uncovering the rare condition of pregnancy-induced depersonalization and derealization disorder.

Exhausted from bottling up your emotions, fears, and truths? Let it out. Internalizing that stuff is keeping you mentally, physically, and spiritually unhealthy. Reserve quiet time to use this journal as your safe space to get in touch with what you feel, who you are, and what you want from life--you'll thank yourself. This journal--along with the book Fulfilled: 52 Prescriptions for Healing, Health, and Happiness--is essential on your journey to live your life in harmony and become your most optimal You! Does journaling really work? Yes! The science is solid. Study upon study proves journaling reduces stress and can deepen self-discovery. By writing for just 15 minutes for three days a week, you'll increase your overall feelings of wellbeing. Fulfilled: the journal is often purchased with Fulfilled: 52 Prescriptions for Healing, Health, and Happiness.

Mickey Quinn, a wife-killer and bar owner, decides he will control the destiny of his only son, conceived thru intimidation and violence over his employee, Darlene Bundt. Quinn's got plans for his kid: he's gonna raise him up sharp, tough, and ""connected"" to the Massachusetts political elites. Once Darlene has decided-against common sense-to bear this child-thereby testing the very foundations of her faith-Quinn sets his ""goon"" to stalking her. Darlene is forced her to go on the run, and then, into hiding from David's mobster-father. In his quest to control David's life, will Mickey Quinn do the unthinkable?

Praise for the 2021 Connecticut Literary Anthology "The Connecticut Literary Festival Anthology offers a lush bouquet of fiction, non-fiction, and poetry that readers are sure to relish. Within its pages, I found new works by writers I have long admired: Chris Belden, Lary Bloom, Ken Cormier, Margaret Gibson, Raouf Mama, and Bessy Reyna. Just as enjoyable is the work of writers who are, for me, new discoveries. The literary arts are alive and well here in the Constitution State. This collection is ample proof." --Wally Lamb Celebrate the many voices of the Connecticut literary scene with previously unpublished work from established to emerging writers. Guest editor and Nutmeg State resident Victoria Buitron has constellated dozens of voices from Connecticut to bring you the 2023 Connecticut Literary Anthology. With new and original works by: Sonya Huber Gabi Coatsworth Anthony D'Aries Rachel Basch Gina Barreca Michael Todd Cohen Lionel M. Crawford Van Hartman Chris Belden David Ryan Michael Belanger Katherine Schneider Laurel Peterson Vivian Shipley --alongside other ground-breaking writers, you'll find emerging authors whose creative non-fiction is appearing on the page for the first time--you will find within these pages a celebration of Connecticut Writers.

The world of pro wrestling is about to change. Eric ""Jiggolo"" Johnson can sense it, but he's already on his way out. On the way to what he expects will be one of his last big shows, he and the wrestlers he's traveling with come into conflict with a family of meth dealers in rural West Virginia. Suddenly Eric and the others find themselves held captive on a farm, unsure of what will happen and desperate to escape. As they are forced, one by one, to contend with just how tough they actually are, one man may be their last hope. Brick Lamar, current company champion, is sent to find Eric and the others when they go missing. The former Marine is their best chance for survival, if he can find them. Can Brick get to Eric before it's too late? The sun sets early in the hollers of West Virginia, and the darkness waits for no man.

In 1944, Oakwood's town council is desperate to save their young men from being lost to the devastation of the far-reaching effects of WWII, and as such make the unconscionable decision to make an evil deal with an agent of the devil in order to protect their own children, town's citizens and peaceful way of life. Little does journalism student Jim Norton know that his decision to write an article on the peaceful town of Oakwood, that seems to have been able to have escaped the pitfalls of progress for his school paper in 1984, will lead him down the treacherous rabbit hole that just might end with his demise.

Can a monster choose to be good? That's the question facing Kyra Anastas. With snakes for hair and a gaze that turns men to stone, Kyra is a modern-day Medusa, making a living in Chicago as a hitwoman for hire. Feared and hated even by her fellow Mythic, she lives a solitary and bitter existence until a dying millionaire asks Kyra to protect her daughter from supernatural dangers. Eager to be more than just a dealer of death, Kyra takes the job. But the road to redemption will force Kyra to face all her demons-not just the monsters chasing them across the Windy City, but also the horrors that haunt her own evil past.

Since the loss of his family as a teenager, Steven's life has never been simple, or easy. Why did he think that joining the Army to avoid responsibility and becoming a sniper would somehow change everything? Running from your problems is never the right thing to do. Steven has made a life of running. But now, at the end of his military career, all his life's issues have finally come to roost. While lining up his final shot, through a collection of memories, Steven ponders how he got to be where he is right now. He weighs the cost, that he had been willing to pay against what he actually paid for the life that he calls his own. It is a train of thought that thousands, if not millions of soldiers around the world have thought. He recalls those who lost their lives for him and how many lives he had taken since. Somehow, the ledger balance is not adding up. What does he do now?

It's as if they are living in a country music song. When the mill closes, Edgewater's economy and hope collapse. Hunter's father starts drinking and becomes an embarrassment and liability to Hunter, who's trying to balance his high-maintenance girlfriend with life on the basketball court. Luna, attending in-person school for the first time in her 17 years, has no friends and hides behind her hoodie to escape her peers' vicious ridicule. A tragic accident sends the town spiraling further into despair. In its wake, Luna and Hunter are forced to work together as the unlikely leaders of a fundraising project, one that attempts to make meaning of the senseless disaster. Many of Edgewater's residents jump on board to help. But some are fiercely opposed to the project, and their defiance becomes sinister. When Hunter and Luna stumble upon dark secrets and are forced to keep them, they realize the terrifying risks they are taking to knit a broken community back together. And just like in those songs, not everything that's broken can be fixed.

Memoir. Confession. Humor.Lived-experience. Intimate Revelations. Professional Discoveries.Survival. Pleasure. Triumph. Fast Fallen Women introduces 75 new essays about the dangerous and enthralling ways women fall--and how we get back on our feet, more deft, more decisive, and daring than ever. Holding a compact mirror up to life with the same curiosity that enveloped Eve when she once held the apple, editor Gina Barreca's latest inclusive collection of short, sharp, feminist pieces illuminate women's courage, curiosity, and wit. With new and original works by: - Amy Tan - Jane Smiley - Caroline Leavitt - Bobbie Ann Mason - Honor Moore - Darien Hsu Gee - Ilene Beckerman - and Lynn Peril --alongside other ground-breaking journalists, novelists, and writers, you'll find emerging authors whose creative non-fiction is appearing on the page for the first time--you will find within these pages a celebration the fallen woman the long overdue. Fast Fallen Women gives whispered conversation a full voice.

But Cats Don't Talk is a young adult novel that combines elements of romance, tragedy, classical music, auditory hallucinations, a reinterpretation of "family," and dogged determination. It is the inspiring story of Rebecca O'Sullivan, a 17-year-old prodigy who has everything going for her: a promising career as a classical pianist, a supportive mother/piano teacher/manager, and a loving pet, Beethoven the Cat (BC), who accompanies her everywhere, even to her concerts where he wears a bowtie and sleeps atop her grand piano while she performs. Becca relies on her mother for practically everything, so when her mom dies suddenly, Becca finds herself ill-equipped to take care of herself or to perform her remaining concerts that season. To make matters worse, BC starts talking to her-- becoming snarkier by the moment-- and convinces Becca she is losing her mind. Even with the help of Cassie, her alcoholic aunt, Dak, her new friend/boyfriend, and Mrs. Fox, her honorary grandmother, Becca is afraid she won't be able to hold it together long enough to perform the last two concerts. And even if she does, she has no idea what she is going to do after the concerts are over.

"Katya Cengal became patient number 090 71 51 at the Roth Psychosomatic Unit at Children's Hospital at Stanford in 1986. She was 10 years old. Katya's young age set her apart from the other--mostly teenage--children on the psychosomatic unit: anorexic girls became her babysitters, non-compliant diabetic boys were her big brothers. Instead of learning her multiplication talbes, Katya learned how to throw up. The bulimic teens taught her that. Visitors from other units showed her how to be ashamed. Hospital staff put her in a straitjacket--and on anti-psychotic medication. Her young age, the length of her stay, and her lack of diagnosis inspired a rare intimacy in staff and patients, allowing Katya to penetrate a hidden world more deeply than most. Thirty years later Katya, now a journalist, tracks down the doctors, psychologists and counselors who once cared for her. What happened to her as a child is told in the voice of the troubled 10-year-old girl she once was. The two narratives unfold simultaneously. The result is a gut-wrenching account of childhood mental illness told from the inside interspersed with updates from experts in the field"--Rear cover.

After Griffin Dix's 15-year-old son, Kenzo, is killed in a gun "accident" by a close friend, Griffin learns that the gun lacked safety features that could have prevented his son's death. A brilliant Brady Center lawyer helps him and his wife sue Beretta USA, leading to courtroom battles between a major gun violence prevention organization and leaders of the gun industry, who argue over the causes of Kenzo's death. This gripping account exposes how the gun industry markets guns designed for the military and police to untrained civilians, too often with tragic results. But the book is not just another "gun control" diatribe. It gives full voice to both sides of a fascinating American debate that has implications for the safety of American families. Griffin's deeply personal narrative ends with hope. It tells how he joins a California coalition to pass state laws to reduce unsafe gun storage and to establish handgun safety standards that force the gun industry to sell safer handguns. These laws help dramatically reduce unintentional gun deaths in California and the rest of the country when the safer handguns are sold nationwide.

Marie Harper is a young mother of six-month-old Heather who was created during a brutal rape. Living in the Pacific Northwest near the ocean, working for a local tribal doctor's office, Marie has created a safe life for the two of them. One rainy night a car crash changes that. Marie is killed in the crash. Finding herself standing outside the wreck she observes the spirit of Jessica, the woman from the other vehicle, vanish in a beam of light. When Marie hears the paramedics trying to resuscitate Jessica's body, she begs the universe for a chance to live as Jessica so she can continue to parent Heather. She wakes in the hospital as Jessica, but with none of her memories. Standing at the foot of her bed is Jessica's husband... a man Marie recognizes as the rapist. She realizes she is trapped in a marriage to a man she knows nothing about, other than this one horrendous detail - and begins to wonder if the crash was indeed an accident. As Detective Rod Kills On Top begins his investigation he uncovers details from a serial killer case he has been working on that make him fear for Jessica's safety.

If You Turn to Look Back combines memoir with political, social, and economic investigations of what it means to be an American and a citizen of the world. American influence is ubiquitous in South America, and If You Turn to Look Back explores these relationships in a personal context. For Tom Hazuka was once part of that influence, from 1978-1980 as a Peace Corps Volunteer in Chile, first in the capital of Santiago, then in the far northern city of Arica, near the Peruvian border. In a chain of events springing from the 9/11 terrorist attacks, in 2003 Hazuka returned to Chile to examine changes in the country, the people and himself. He left Chile at twenty-four and returned at forty-seven. This fact is a constant presence in the book, which makes the author's personal concerns and observations universal. Every human knows what it's like to wonder where time goes, and to reflect on what has been gained and lost over the years. One variable that has not changed for Hazuka is that he is an American. In South America, like it or not he is a representative in developing nations of the richest and most powerful country on the planet. The intricacies of that relationship and the dynamics it creates are the focus of If You Turn to Look Back. Hazuka began this exploration with his novel In the City of the Disappeared. In If You Turn to Look Back, he confronts those issues directly through nonfiction, using his own voice, thoughts, and unmediated experiences.

"A memoir of illness and healing"--Cover.