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"Literary critic Steven Moore was an editor at Dalkey Archive Press during its early years (1988-1996) when it grew from a one-man operation to one of the most respected small presses in America. In part 1 of this brief memoir, he recounts how he joined the press, what he accomplished there, and why he left. This is followed by an annotated list of all the books Moore acquired, enlivened by behind-the-scene anecdotes, and concludes with short essays on certain particular authors. Dalkey Days is profusely illustrated with book covers, author photos, and rare Dalkey memorabilia."--
What does it mean today to experience a work of art? Where can we turn in search of the genuine, the sincere, the truly accomplished? And even if we were to find them, would we know how to acknowledge their value? The essays in See What I See are the fruits of a lifetime spent grappling with these questions. By turns lyrical and arch, they seek answers in the artistic achievements of the great masters--from Gaddis and Gass to Kubrick and Rohmer--as well as in less likely places. For Greg Gerke, the nectar of aesthetic experience is found as often in the human body as in poetry or prose. This new and expanded version of See What I See, with an introduction by noted scholar Steven Moore, is the perfect companion for the bookworm or cinephile.
It's an otherwise ordinary week in April, the week after Easter, 2009. Late in the week, a man wakes up in Guanajuato, Mexico with his knowledge intact, but with no memory of who he is, or how he came to live in Guanajuato. Early in the week, a venture capitalist sits at his desk in an office tower in Los Angeles, attempting to complete his business memoirs, but troubled by the fact that a recent deal appears to be some sort of money-laundering scheme. And in the middle of the week, just before dawn on April 15, two gunmen arrive at an El Paso motel to retrieve a duffel bag stuffed full of currency, and eliminate the man who brought it to El Paso. Thus begins the three-stranded narrative of Novel Explosives, a fiendishly funny search for identity that travels through the worlds of venture finance, the Juarez drug wars, and the latest innovations in thermobaric weaponry, a joyride of a novel with only one catch: the deeper into the book you go, the more dangerous it gets. At the palpitating heart of the novel, at its roiling fundamental core, lies an agonizing reappraisal of the way the U.S behaves in the world, a project that grows more urgent by the day.
"Erickson's journal of the last 18 months of the Trump presidency sears the page. [He] ... has long been [a] political observer, and American Stutter--part political declaration, part humorous account of more personal matters--offers a particularly moving reminder of the democratic ideals that we are currently struggling to preserve. Written with wit, eloquence, and a controlled fury as events unfold, Erickson has left us with [a] record of our recent history, a book to be read with our collective breath held"--Publisher marketing.
"Two young men are caught in the crosshairs of shady government operations, mafias, and billionaires. A multi-generational family drama unfolds into an observation of violence in American History: from the Oregon Trail, to the nuclear age, the Vietnam War, and a post-9/11 world."--
A professor of Linguistics in a Gulf Coast college town causes an accident that destroys his marriage and sends him into a breakdown, in which he perceives that the world is falling apart with him. Even his language becomes fractured, in a parallel to the Biblical story of the Tower of Babel.
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