Big Hammer 20

Poetry Magazine founded in 1988, published by Iniquity Press/Vendetta Books, edited by Dave Roskos. This is issue #20. Winter 2019. Contributors include: Jen Dunford Roskos, Angela Mark, Michael Shores, Helen Hoyt, Olga Cabral, Bree, Anthony George, Joe Weil, Jim Cohn, Lamont Steptoe, Rick Kearns, D.r. Wagner, John Lunar Richey, Michael Pingarron, Matt Borczon, Dave Church, Kell Robertson, normal, Andy Clausen, Pamela Twining, Cliff Fyman, Tom Obrzut, Donald Lev, Matt Borkowski, Miriam Halliday Borkowski, Eugenia Borkowski-Sypherd, Mary Elizabeth Borkowski, Dwyer Jones, Kevin Hayes, Chris Stroffolino, Alan Catlin, Allen Johnson, Stuart N. Ross, Charlie Mosler, Andrew Gettler, Arturo Desimone, Neeli Cherkovski, Paul Sohar, Istvan Eorsi, Adolf Wolff, Hilary Krzywkowski, Tom Kryss, Alex Gildzen, John Burroughs, Joel Lewis, Bob Rixon, William Taylor Jr, Beth Borrus, Mary Dacorro, Nourish Cruz, Allison Baldwin, Emily Vogel, Rebecca Schumejda, Ingrid Swanberg, Loring Hughes, Lotus Baby, Frances Gregg, Bertha Sanchez Bello, Charles Joseph, A.D. Winans, William Wantling, Dave Roskos, Fenton Johnson, Jakima Davis, Yictove aka Eugene Turk, Christopher F. Brown, Lorri Jackson, Misa Levey, Joe Davidson, Sheryl L. Nelms, Jeff Maschi, Arnold Skemer, Joe Roarty, Marc Olmsted, Kevin Ridgeway, Henry Dunlevy, Anthony Bernstein, Seth Howard, Lonnie Monka, Larry Marshall, Helmut C. Calabrese, Jake St John, Tom Weigel, Joel Dailey, Gillian G. Hiscox, Gregory Schwartz, Jeffrey Grossman, John Bennett, Albert Huffstickler, M. Kettner, Ed Galing, Michael Estabrook, Mather Schneider, Jonathan Church, Catfish McDaris, Kurt Nimmo, Ron Androla, David S. Pointer, Doug Draime, Mike Faran, Ed Sousa, Ken Greenley, Joe Haskins, Richard D. Houff, Bart Solarczyk, Scott Silsbe, K.W. Perry, Paul Brooks, Scott Roskos, John Dorsey, Damian Rucci, Carl Kaucher, Calvin Kaucher, Brenton Booth, Bob Kaufman, Russell Salamon. A REVIEW OF BIG HAMMER #19: "Much of the poetry seems to have an elegaic quality for the passing of the human species, if not the earth as an ongoing, near-future prospect. Simple, declarative lyrics. Many full-page drawings, often fantastic or surreal--some cartoonish--as well as collages and fancy borders for some poems. There are blows against the literary establishment, the modern elites, the ruling class, their greed and heartlessness. Little tales of suffering--of love gone missing or awry. Here's one by Mather schneider: 'I watch a fly land on the counter / sucking on a drop of something sugary / I think of cute Billy Collins / buzzing around his house on espresso // then squash it flat / as the Hudson Review' Ooh. Good one." by Phil Wagner in ICONOCLAST