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Comparative Cinema

Bag om Comparative Cinema

This book comprises what may be called exercises in ¿comparative cinemä. Its focus on endings, near-endings and ¿late style¿ is connected with the author¿s argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literature and film, though they also consider issues raised by the interrelationship of language and moving and still images, as well as inter- and intra-textuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kie¿lowski, Chang-dong Lee, Roman Poläski, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.

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  • Sprog:
  • Ukendt
  • ISBN:
  • 9783030690465
  • Indbinding:
  • Paperback
  • Sideantal:
  • 260
  • Udgivet:
  • 12. maj 2022
  • Udgave:
  • 22001
  • Størrelse:
  • 148x15x210 mm.
  • Vægt:
  • 341 g.
  • BLACK NOVEMBER
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Leveringstid: 8-11 hverdage
Forventet levering: 27. november 2024

Beskrivelse af Comparative Cinema

This book comprises what may be called exercises in ¿comparative cinemä. Its focus on endings, near-endings and ¿late style¿ is connected with the author¿s argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literature and film, though they also consider issues raised by the interrelationship of language and moving and still images, as well as inter- and intra-textuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kie¿lowski, Chang-dong Lee, Roman Poläski, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.

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