Bøger af Charlotte Perkins Gilman

5 hjerter i Politiken5 stjerner i Berlingske"Det gule tapet" (1892) er et uomgængeligt værk i amerikansk feministisk litteratur. Charlotte Perkins Gilmans gotiske historie, om en kvinde der gennemlever en ufrivillig ”hvilekur” på et værelse med en ildevarslende indretning og et hypnotiserende gult tapet, er baseret på Gilmans egne katastrofale erfaringer med en tvungen hvilekur ovenpå en fødselsdepression.Historiens lurende uhygge får læseren til at betvivle egen dømmekraft. Hovedpersonen er sammen med sin lægeægtemand afskåret fra omverdenen i en afsidesliggende sommerresidens. Hun er patient, han behandler. Men hvor lurer den sande fare? I hendes eget sind, i ægtemandens tvangsbehandling – eller i tapetet?Charlotte Perkins Gilman ( 1860 -1935) var en amerikansk feminist, fordragsholder og forfatter. Hun anses i dag som værende en af de førende stemmer indenfor kvindesagen i sin samtid. Efter sin død i 1934 gled hun dog hurtig ud i glemsel, indtil hun i 1970erne blev genopdaget af andenbølge-feministerne.

On the eve of World War I, an all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women's roles in society.

In this haunting illustration of the treatment of mental health and chilling Gothic tale, a woman is confined to a room and forbidden to do anything interesting, and loses her mind. In 1887, following a nervous breakdown, Gilman had been sent to a leading neurologist, she explains in 'Why I Wrote The Yellow Wallpaper', also included in this volume.

What would happen if society was run by women? Charlotte Perkins Gilman imagines the result... When three American men discover a community of women, living in perfect isolation in the Amazon, they decide there simply must be men somewhere.

I Det gule tapet tager den kvindelige jeg-fortæller os med på et landligt ophold på et stort herresæde, hvor hun skal hvile sig på lægens ordre. Endelig ikke noget med hverken at læse eller selv skrive noget som helst. Lægens kur bringer hende på kanten af vanvid, for i mangel på aktivitet og indtryk begynder hun at følge mønsteret på det gule tapet, som beklæder alle vægge i soveværelset, hvor hun tilbringer hovedparten af dagen. Det gule tapet kan betragtes som mesterværket af Charlotte Perkins Gilmans hånd. Hun var en del af de første feminister, og netop Det gule tapet regnes i dag som et af de tidlige hovedværker indenfor kvindebevægelsen.

Moving the Mountain, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable book falls within the genres of Language and Literatures, American and Canadian literature

A presente publicação engloba três contos de afirmação feminista da autora Charlotte Perkins Gilman. Publicados em séculos distintos, e não foram organizados cronologicamente por opção e preferência editorial, organizaram-se antes numa perspetiva de introdução e abordagem ao conto "O Papel de Parede Amarelo" que titula este livro, e que é considerada a magnus opera de Gilman. De modo a permitir ao leitor inteirar-se da perspetiva da abordagem feminista da autora, inicia-se então este segmento de histórias com a leitura de um pequeno conto metafórico, "Um Anjo Extinto", seguindo-se "Se Eu Fora Um Homem", este sendo um conto com um cariz transpessoal, para, por fim, fazer desembocar o leitor no meandro de um intenso jogo psicológico intrapessoal em "O Papel de Parede Amarelo".No primeiro conto Gilman utiliza a figura do anjo para metaforizar a mulher obediente e subserviente que na sua perspetiva se extinguiu. Vincadamente feminista e publicado em 1891, "Um Anjo Extinto" é um magnífico mote sobre a perspetiva da emancipação da mulher e das causas que a levaram a tomar as rédeas do seu destino.Em "Se Eu Fora Um Homem", Charlotte Perkins Gilman retrata-nos os pensamentos subconsciente da personagem Mollie Mathewson que, almejando tornar-se um homem, se transpõe para a posição do seu marido e passa a ver o mundo através dos olhos dele experienciando diferentes e estranhas perspetivas.Por fim, mas não menos, em "O Papel de Parede Amarelo", Charlotte Perkins Gilman descreve autobiograficamente uma profunda depressão de uma mulher cujo marido, médico, a levou a passar uma temporada afastada da sociedade numa antiga mansão de família isolada a fim de ela se prover de absoluto descanso e se curar, o que a leva a uma extraordinária alucinação face ao isolamento, retratando as consequências da subserviência feminina ao patriarcado. O leitor vê-se gradualmente envolvido numa fascinação mórbida que o transporta num estilo sensacionalista, ou mesmo surrealista, ao longo de um imaginário intermutável. A obra é inspirada na sua própria depressão pós-parto.

Experience a haunting descent into madness in The Yellow Wallpaper by Charlotte Perkins Gilman. First published in The New England Magazinein January of 1892, it received mixed reviews. This chilling short story depicts the author's belief that women endured psychological turmoil amidsta patriarchal medical establishment. The story went on to fuel America's budding revolutionary feminist movement. A disturbing and sensationalistictale of Gothic fiction.

A collection of poetry by feminist writer Charlotte Perkins Gilman exploring themes such as gender roles, social justice, and the human condition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Charlotte Perkins Gilman's Concerning Children reflects her innovative thinking on the social and economic construction of motherhood. In this volume, she takes on American society at its core principles: the betterment of our society through the development of our children. Gilman attacks our conventional model of child rearing, one based on obedience and discipline, rather than on the development of creativity and individuality. ¿She responds to popular practices such as the corporal punishment of children, and proposes new and radical ways of child-rearing including social motherhood, which frees women to pursue careers. Presciently observing more than a century ago that it takes an entire village to raise a child, Gilman's Concerning Children is a must-read for anyone interested in gender and family studies.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It first appeared as a serial in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916. The book is the middle volume in her utopian trilogy; it was preceded by Moving the Mountain (1911), and followed with a sequel, With Her in Ourland (1916). It was not published in book form until 1979. PLOT: The story is told from the perspective of Vandyck "Van" Jennings, a student of sociology who, along with two friends (Terry O. Nicholson and Jeff Margrave), forms an expedition party to explore an area of uncharted land where it is rumored lives a society consisting entirely of women. The three friends do not entirely believe the rumors because they are unable to think of a way how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear: Jeff regarding women as things to be served and protected; Terry viewing them as things to be conquered and won.[1] When the explorers reach their destination, they proceed with caution, hiding the biplane they arrive in, and trying to keep themselves hidden in the forests that border the land. They are quickly found by three young women who they realize are observing them from the treetops. After attempting to catch the girls with trickery, the men end up chasing the young women towards a town or village. The women outrun them easily and disappear among the houses, which, Van notes are exceptionally well made and attractive. After meeting the first inhabitants of this new land (which Van names Herland) the men proceed more cautiously, noting that the girls they met were strong, agile, and completely unafraid. Their caution is warranted because as the men enter the town where the girls disappeared, they become surrounded by a large group of women who march them towards an official looking building. The three men attempt an escape but are swiftly and easily overpowered by the large group of women and eventually anesthetized. The men awake to find themselves held captive in a fortress-like building. They are given comfortable living accommodations, clean clothes, and food. The women assign each man a tutor who teaches the men their language. Van makes many notes about the new country and people, commenting that everything from their clothing to their furniture seems to be made with the twin ideals of pragmatism and aesthetics given equal consideration. The women themselves appear intelligent and astute, unafraid and patient, with a notable lack of temper and seemingly limitless understanding for their captives. The women are keen to learn about the world outside and question the men eagerly about all manner of things. Often Van finds himself having difficulty justifying the practices of his own society such as the milking of cows, and the keeping of property, when faced with the apparent utopia the women have managed to build.... Charlotte Perkins Gilman ( also Charlotte Perkins Stetson (July 3, 1860 - August 17, 1935), was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis......

"The Yellow Wallpaper" by Charlotte Perkins Gilman: A Haunting Exploration of Female Oppression and MadnessStep into the gripping and unsettling world of "The Yellow Wallpaper" by Charlotte Perkins Gilman, a landmark work that delves into the complexities of female oppression, mental health, and societal constraints in the late 19th century.Key Highlights:1. **A Disturbing Tale:** "The Yellow Wallpaper" is a short story that vividly portrays the descent into madness of the narrator, a woman suffering from what we now recognize as postpartum depression.2. **Narrative Style:** Written in a first-person, journal-like format, the story allows readers to delve deep into the psyche of the protagonist, experiencing her isolation, confinement, and deteriorating mental state firsthand.3. **Domestic Imprisonment:** The story is set within a Victorian home, where the narrator is confined to a room with yellow wallpaper. This setting becomes a symbol of her confinement, oppression, and the psychological strain of her circumstances.4. **Feminist Critique:** "The Yellow Wallpaper" is often considered a feminist critique of the limited roles and autonomy afforded to women in the 19th century. It explores the stifling effects of societal expectations and the silencing of women's voices.5. **Probing Madness:** The story raises questions about the blurred lines between mental illness and societal suppression, as the protagonist's descent into madness is closely intertwined with her oppressive domestic environment.6. **Enduring Relevance:** Gilman's work remains relevant today as a poignant exploration of mental health, gender roles, and the impact of patriarchal norms.7. **Legacy:** "The Yellow Wallpaper" is an essential work in feminist literature, inspiring numerous adaptations and discussions on women's rights and mental health.This haunting narrative is a powerful commentary on the psychological toll of societal repression and the subtle ways in which women's voices have been silenced throughout history. "The Yellow Wallpaper" is not only a compelling story but also a call to confront the oppressive structures that continue to affect women in various ways.For readers interested in feminist literature, psychological tales, and historical works that challenge conventions, "The Yellow Wallpaper" is an unmissable exploration of the intricate interplay between gender, mental health, and societal expectations. It serves as a chilling reminder of the importance of recognizing and addressing the multifaceted challenges faced by women in a patriarchal society.

"Women and Economics" by Charlotte Perkins Gilman: A Pioneering Work on Gender, Society, and Economic Empowerment"Women and Economics" stands as a groundbreaking feminist work by the visionary author and social critic, Charlotte Perkins Gilman. Published in 1898, this book defied convention and ignited conversations that would continue to shape the course of gender equality, women's rights, and economic empowerment.Key Highlights:1. **Trailblazing Feminism:** Gilman's work is a cornerstone of early feminist literature, where she challenges prevailing notions of women's roles in society, economics, and domestic life.2. **Economic Independence:** "Women and Economics" advocates for women's economic independence and argues that economic self-sufficiency is essential for women's autonomy and overall well-being.3. **Critique of Gender Norms:** Gilman dissects societal norms and expectations placed on women, highlighting how these norms constrain their potential and self-fulfillment.4. **Domestic Labor:** The book delves into the often-overlooked realm of domestic labor, proposing innovative solutions to ease women's dual burdens as homemakers and contributors to the workforce.5. **Maternal Evolution:** Gilman explores the implications of the traditional motherhood role and suggests that mothers can better serve their children when unburdened by excessive domestic labor.6. **Educational Equality:** She underscores the importance of equal education for women, a concept that remains relevant today in the pursuit of gender parity.7. **Societal Reform:** Gilman's writings advocate not just for individual change but also for systemic reform in societal structures to enable women to achieve their fullest potential.8. **Legacy:** Charlotte Perkins Gilman's ideas in "Women and Economics" laid the foundation for the women's liberation movement, influencing future generations of feminist thinkers and activists."Women and Economics" remains a powerful and influential work that continues to resonate with readers, scholars, and activists alike. It addresses gender equity, women's economic roles, and societal reform in ways that are as relevant today as they were when first penned over a century ago.For readers interested in women's rights, gender equality, and the ongoing struggle for economic empowerment, Charlotte Perkins Gilman's "Women and Economics" is not just a historical document but a timeless call to action and a testament to the enduring importance of these issues.

"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper.

SIX MACAVELLY SHORT STORIES The characters of Mrs. MacAvelly and of Benigna MacAvelly, that appeared in the novels Won Over and Benigna Machiavelly, appeared in another six short stories by Perkins Gilman. We have collected those stories together after the said books, in order to complete the MacAvelly world, even if sometimes, the character appear only as secondary. The TWC team.

"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women in that period. The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery, having it serve as their bedroom due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, the reader is left unsure as to the source of the room's damage. The narrator devotes many journal entries to describing the wallpaper in the room - its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall. On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She exclaims, "I've got out at last, ...in spite of you and Jane?", and her husband faints as she continues to circle the room, stepping over his inert body each time she passes. Gilman used her writing to explore the role of women in America at the time. She explored issues such as the lack of a life outside the home and the oppressive forces of the patriarchal society. Through her work Gilman paved the way for writers such as Alice Walker and Sylvia Plath.[6] In The Yellow Wallpaper Gilman portrays the narrator's insanity as a way to protest the medical and professional oppression against women at the time. While under the impression that husbands and male doctors were acting with their best interests in mind, women were depicted as mentally weak and fragile. At the time women's rights advocates believed that the outbreak of women being diagnosed as mentally ill was the manifestation of their setbacks regarding the roles they were allowed to play in a male-dominated society. Women were even discouraged from writing, because their writing would ultimately create an identity and become a form of defiance for them.

What Diantha Did is a novel written by Charlotte Perkins Gilman, first published in 1910. The story follows Diantha Bell, a young woman who leaves her family's farm to find work in the city. She quickly becomes disillusioned with the limited opportunities available to women and decides to start her own business, a domestic service agency that employs women and provides them with fair wages and working conditions. As Diantha's business grows, she becomes involved in the women's suffrage movement and falls in love with a wealthy businessman who shares her progressive ideals. However, their relationship is threatened by social conventions and the disapproval of their families. The novel explores themes of gender roles, economic independence, and social change. It is considered a feminist classic and was praised for its portrayal of a strong, independent female protagonist who defies societal expectations.""It's not because I don't love you, Mother. It's because I do. And it's not because I don't love Ross either: --it's because I do. I want to take care of you, Mother, and make life easier for you as long as you live. I want to help him--to help carry that awful load--and I'm going--to--do--it!""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In this short story, the first person narrator is a woman locked in a room by her husband for "health reasons." She becomes obsessed with the yellow wallpaper as she slowly goes insane. First published in 1892, this story illustrates how women needed to get more power over their own lives, and as such, it's been a staple of feminist literature ever since. A classic tale that should be read by everyone.