Bøger af Donald Harris

Orphaned at an early age, Tulli and Atobi are cast adrift in the vast regions of early American Nevada. Their survival was not expected, but they never let go of each other. There are love stories about romance, but there are very few love stories about a man and his sister. Providence allowed them to live with several tribes that called the Sierra Nevada Regions home. They learned survival skills from such tribes as the Wasi Siw, the Paiute, the Yokuts, the Shoshone, the Ute, and the Comanche. Taken in as tribal slaves and required to work for men and women not willing to treat them as children formed their adolescence. They learned how to hunt; they learned how to track; they learned how to use nature as a means of survival, and they learned how to depend on each other. This is a story about survival as well as family love. Tulli and Atobi lived a life of constant change and tribulations, only to discover in the end, all that matters is 'each other'.

This is the story about a young woman from the Sauk Tribe and a young man from the Red Fox Tribe. Their tale begins long before the Sauk and Red Fox joined forces to fight the French and become known as the Sac and Fox Nation.Their peoples were a civilized and peaceful tribe that faced daily life in a plain and simple way. They lived and worked and played and faced dangers as a group bound by common beliefs and societal rules that allowed them to thrive.They experienced hardships and joyous celebrations with pretty much the same attitude and perseverance. They had a sense of humor and a realistic outlook on life in general. The way they lived and loved is nothing more than a reflection of how men and women live today. They celebrated life as well as fought to protect it. They were our ancestors and we owe much of what we are as a people today to them.

Three English women from the ill-fated Roanoke Island Colony have survived in the harsh lands of the New World for three years. They have survived starvation and slavery by banding themselves together and fighting for their very existence.They are dependent on each other for emotional support and their strength is measured only by their willingness to fight for their friendship.This is a story of survival and adaptation. Sometimes existence is only possible if you adapt and overcome, and take what you need by force. Joyce, Rose, and Agnes are fighters and survivors. They are sisters of the heart.

The southeastern woodlands was home to the people who called themselves Muscogee. Their society was made up of a contingency of other tribes that had a common language and deeply felt religious beliefs. They found common ground with each other through their celebration practices and rigid family structures.The Muscogee were a strong people who were the actual beginnings of the Creek Nation. Their home was along a river in Georgia called the Black Warrior River. This is a story of how they made this region their home and how they lived their lives. The story focuses on two teenagers who found themselves being part of a larger family than that of their mothers and fathers. The tale explores the depths of their relationship and their extraordinary devotion to each other. Their time on earth was a time when day-to-day living was a struggle and a person had to be constantly aware of their surroundings in order to survive. This is a narrative about Native American teenagers; what their lives were like, and how their relationship was no less honest than that of any adult.

This is the third chapter of the four women survivors from the Lost Colony of Roanoke Island. Jane Coleman and her sisters of the heart are living in Secotan lands and they now have families of their own. Jane's son meets a Shawnee lass when he is but a child and forms a lifelong bond that ultimately leads to marriage. This story covers the years between 1597 and 1607. This was the time between the first American colonization attempt and the second.

No evil can happen to a good man, either in life or after death. He and his are not neglected by the gods. Socrates Evil is only imperfection, that which is not complete, which is becoming, but has not yet found its end. Annie Besant Here's to strong women. May we know them. May we be them. May we raise them. Author Unknown In 1984, evil came to a small town in Arizona. It came in the form of an animal and a depraved human being. This is a story about how sometimes one evil can destroy another evil, and sometimes the righteous are destroyed right along with it.

530 000 is a collection of short pieces written by the author expression his views the way he would apply it to socializing, a society structure and his life from the age of 30, dated 17th June 2017 the pieces are non - classifiable and structure for adults comprehend, the keywords are publication, would the content be refuse, country of language who is this author, what I am writing is, I know I would be a good read.

This is a story about Chickasaw Young People. The entire story revolves around very young teenagers having grave responsibilities forced upon them and how they handle the situation(s).Adults in the tale have taken a background role as support characters for four people aged thirteen and fifteen. The story gives credit to children that have had to step forward and become instant adults. They are forced to make live and death decisions, and they make some wrong ones along with some wise ones.The year 1200 was chosen as the time period of the tale. The Chickasaw People were in their middle development years as a society, so this gave an opportunity to use some of their lifestyles and social structures as the guiding influences over teenagers of that time.Most tales have a hero or a heroine. This story does not. There's only four main characters with a supporting cast.

The historic Wroclaw is a city in western Poland, in the southeastern part of Lower Silesia. In June 2007, the city became the World Capital of Culture. Wroclaw is home to Centennial Hall, an UNESCO World Heritage Site featuring a Panorama of Raclawice, a 360° oil painting that offers a panoramic view of a historic battle fought near Wroclaw. The city also features a scenic Market Square (Rynek). Including: Market Square, Cathedral Island, Raclawice Panorama, St. Elisabeth's Church, Aula Leopoldina, Wroclaw Cathedral, Wroclaw Fountain, Centennial Hall, Wroclaw Town Hall, Wroclaw Zoological Garden, Wroclaw Market Hall, Tumski Bridge, National Museum, Wroclaw, Wzgórze Partyzantów, Wroclaw Opera, Corpus Christi Church, Japanese Garden, Church of the Holy Cross & St. Bartholomew, Grunwald Bridge, Post and Telecommunications Museum, Municipal Stadium, Jewish Cemetery, Wroclaw's dwarfs, Galeria M Shopping Mall, Arkady Shopping Centre and many more sightseeing highlights of Wroclaw.

The historic city of Bratislava is the capital of Slovakia and is just an hour by car or train from Vienna, Austria. The city of Bratislava is overlooked by a hilltop castle that is set on the banks of the Danube River. As you stroll through Bratislava you'll find lots of shops, old artisans' houses & narrow cobblestone streets. Walk across the chain bridge to Devinska Nova Ves to see the remains of an ancient Roman settlement and visit the Slovak National Theatre with its Art Nouveau facade featuring angels and animals. Check out Bratislava's ornate baroque churches and stop for a morning coffee with sweeping views at the Jan Hus Memorial. Including: Bratislava Castle, Main Square, Michael's Gate, UFO Observation Deck, Man at Work Statue, Old Town, Bratislava City Gallery Mirbach Palace, Merchant Street, Slavín Memorial, Devín Castle, Slovak National Museum, The Handsome Guy Memorial, Old Town Hall, Slovak Radio Building, Maximilian Fountain, Primate's Square, Slovak National Theatre, Museum of Jewish Culture in Slovakia, Bridge of the Slovak National Uprising, Botanical Garden, Nedbalka Gallery, Kamzík TV Tower, Pálffy Palace, Golden Sands, Esterházy Palace and many more sightseeing highlights of Bratislava.

On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture.