Bøger af Gabriele D'Annunzio

Beati immaculati...Andare davanti al giudice, dirgli: "Ho commesso un delitto. Quella povera creatura non sarebbe morta se io non l'avessi uccisa. Io Tullio Hermil, io stesso l'ho uccisa. Ho premeditato l'assassinio, nella mia casa. L'ho compiuto con una perfetta lucidità di conscienza, esattamente, nella massima sicurezza. Poi ho seguitato a vivere col mio segreto nella mia casa, un anno intero, fino ad oggi. Oggi è l'anniversario. Eccomi nelle vostre mani. Ascoltatemi. Giudicatemi". Posso andare davanti al giudice, posso parlargli così?Non posso né voglio. La giustizia degli uomini non mi tocca. Nessun tribunale della terra saprebbe giudicarmi.Eppure bisogna che io mi accusi,...

D'Annunzio's lyrical and poetic play tells the story of a tragic love triangle set against the backdrop of 19th-century Italy. A meditation on desire, passion, and beauty, this work is both haunting and powerful, offering readers a glimpse into the soul of one of Italy's greatest literary figures.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

PONGO il tuo nome anche in fronte a questo libro che sopra tutti singolarmente tu prediligi, o Cenobiarca: in fronte a questo libro che io ti ho scritto con curiosa lentezza nella sede dell'Arte Severa e del Silenzio. Poi che l'ultima pagina fu compiuta, tu avesti comune con me quella sùbita ingannevole gioia su cui più tardi il crepuscolo primaverile diffuse un così puro velo di malinconia. E avesti comune con me il rammarico per le già lontane sere quando tu salivi alla mia cella remota e quivi, nella gran quiete conventuale, mentre fumigava entro le tazze la bevanda favorita e parevami si spandesse nell'aria il calore delle nostre intelligenze, io ti leggeva ad alta voce la mia scritt...

Gelida sta la notte cristiana su le case degli uomini, ma pura. - O tu che ne la casa tua lontana fili con dita provvide la lana de la tua greggia, sin che l'olio dura ne la lucerna, e il ceppo a tratti splende,

Tales of My Native Town, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

""Gli Idolatri"" ����� un romanzo scritto da Gabriele D'Annunzio nel 1892. La storia segue la vita di un giovane artista, Orazio, che ����� ossessionato dalla bellezza e dall'arte. Orazio incontra una bellissima donna, Fosca, che diventa la sua musa e la sua fonte di ispirazione. Tuttavia, la loro relazione diventa sempre pi����� complicata a causa delle loro diverse visioni sulla vita e sull'arte. Orazio ����� un idolatra, che crede che la bellezza e l'arte siano tutto nella vita, mentre Fosca ����� una donna religiosa che crede nella spiritualit������ e nella devozione. La loro relazione si intensifica quando Orazio diventa sempre pi����� ossessionato dalla bellezza e dalla perfezione, mentre Fosca cerca di trovare la sua pace interiore attraverso la fede. La storia si conclude con una tragica fine per entrambi i personaggi. ""Gli Idolatri"" ����� considerato uno dei capolavori di D'Annunzio e rappresenta una critica alla societ������ italiana dell'epoca, che era ossessionata dalla bellezza e dall'apparenza esteriore.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Le Novelle della Pescara ����� un libro scritto da Gabriele D'Annunzio nel 1902. Si tratta di una raccolta di nove racconti che si svolgono nella citt������ di Pescara e nei suoi dintorni. Le storie sono ambientate in un'epoca precedente quella in cui ����� stato scritto il libro, e raccontano di personaggi che si muovono tra la realt������ e il sogno, tra la vita e la morte. I racconti sono caratterizzati da un linguaggio ricercato e da una grande attenzione ai dettagli, che rendono l'atmosfera delle storie molto suggestiva. Inoltre, il libro ����� un'opera importante per la letteratura italiana, in quanto rappresenta uno dei primi esempi di prosa d'arte.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

O Vita, o Vita, dono terribile del dio, come una spada fedele, come una ruggente face, come la gorgóna, come la centàurea veste; o Vita, o Vita, dono d'oblìo, offerta agreste, come un'acqua chiara, come una corona, come un fiale, come il miele che la bocca separa dalla cera tenace; o Vita, o Vita ...

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1900 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Una stanza vasta e luminosa, aperta sur una loggia balaustrata che si protende verso l'antica città dei Pelopidi. Il piano della loggia si eleva sul pavimento della stanza per cinque gradini di pietra disposti in forma di piramide tronca, come dinnanzi al pronao d'un tempio. Due colonne doriche sorreggono l'architrave. S'intravede pel vano l'acropoli con le sue venerande mura ciclopiche interrotte dalla Porta dei Leoni. In ciascuna parete laterale della stanza sono due usci che conducono agli appartamenti interni e alla scalinata. Una grande tavola è ingombra di carte, di libri, di statuette, di vasi. Ovunque, lungo le pareti, negli spazii liberi sono adunati calchi di statue, di bassi ri...

Si vedrà una stanza di terreno in una casa rustica. La porta grande sarà aperta su l'aia assolata; e vi sarà tesa una banda di lana scarlatta per traverso, a impedimento del passo, e alla banda saranno poggiati un bidente e una conocchia; e presso un degli stipiti penderà una croce di cera, contro i malefizii. Un uscio chiuso, con l'architrave adornato di mortella, sarà nella parete a man dritta; e lungh'essa la parete saranno tre arche di legname. A manca, nella grossezza del muro, sarà un camino con la sua cappa molto prominente; e, poco più in là, un usciuolo; e, quivi presso, un telaio. E vi saranno nella stanza varii utensili e suppellettili, ai loro luoghi, come stipi, scancìe, tres...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poema Paradisiaco: Odi Navali (1891-1893): Poesie Gabriele D'Annunzio Treves, 1910

Estratto: ...il braccio sinistro arcuato su 'l fianco, battendo il piede ad ogni cadenza, cercando parer leggero e molle come una piuma, con atti di grazia cosi goffi e con smorfie cosi scimmiescamente mobili che in torno a lui le risa e i motti dei pulcinella cominciarono a grandinare. "Un soldo si paga, signori!" "Ecco l'orso della Polonia, che balla come un cristiano! Mirate, signori!" "Chi vuol nespoleeee? Chi vuol nespoleeee?" "'O vi'! 'O vi'! L'urangutango!" Don Antonio fremeva, dignitosamente, pur seguitando a ballare. In torno a lui altre coppie giravano. La sala si era empita di gente variissima; e nel gran calore le candele ardevano con una fiamma rossiccia, tra i festoni di mortella. Tutta quell'agitazione multicolore si rifletteva nelli specchi. La Ciccarina, la figlia di Montagna, la figlia di Suriano, le sorelle Montanaro apparivano e sparivano, mettendo nella folla l'irraggiamento della loro fresca bellezza plebea. Donna Teodolinda Pumerici, alta e sottile, vestita di raso azzurro, come una madonna, si lasciava portare trasognata; e i capelli sciolti in anella le fluttuavano su li omeri. Costanzella Caffe, la piu agile e la piu infaticabile fra le danzatrici e la piu bionda, volava da un'estremita all'altra in un baleno. Amalia Solofra, la rossa dai capelli quasi fiammeggianti, vestita da forosetta, con audacia senza pari, aveva il busto di seta sostenuto da un solo nastro che contornava l'appiccatura del braccio; e, nella danza, a tratti le si vedeva una macchia scura sotto le ascelle. Amalia Gagliano, la bella dalli occhi cisposi, vestita da maga, pareva una cassa funeraria che camminasse verticalmente. Una specie di ebrieta teneva tutte quelle fanciulle. Esse erano alterate dall'aria calda e densa, come da un falso vino. Il lauro e la mortella formavano un odore singolare, quasi ecclesiastico. La musica cesso. Ora tutti salivano i gradini conducenti alla sala dei rinfreschi. Don Giovanni Ussorio venne ad invitare...