Bøger af Georges Perrot

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ History Of Art In Phrygie, Lydia, Caria, And Lycia: From The French Of Georges Perrot ... And Charles Chipiez ... Georges Perrot, Charles Chipiez Chapman and Hall, limited, 1892 Art; Asia Minor; Turkey

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Histoire De L'art Dans L'antiquité, Volume 4; Histoire De L'art Dans L'antiquité; Georges Perrot Georges Perrot, Charles Chipiez Hachette et Cie., 1887

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

De Galatia Provincia Romana est liber a Perrot, Georgio scriptus anno MDCCCLXVII. In hoc libro, auctor Galatiam, provinciam Romanam, describit et historiam eius narrat. Perrot Galatiae loca, mores, culturam, linguam, et religionem explicat, et provinciae Romanorum dominationem et influentiam in ea demonstrat. Libro multae tabulae et imagines sunt, quae loca et monumenta Galatiae depictae sunt. De Galatia Provincia Romana est opus eruditum et utile, quod historiae Romanae et Galatiae studiosis commendatur.This Book Is In Latin.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"... Les mots civilisation mycénienne, style mycénien, art mycénien, étaient encore inconnus quand, jeune membre de l'École française d'Athènes, en 1856, je gravis pour la première fois les pentes du coteau de Tirynthe et de la montagne de Mycènes. Si quelque archéologue s'était avisé alors de les employer, ils n'auraient pas présenté de sens nettement défini, tandis qu'aujourd'hui, pour tous ceux qui sont initiés à nos études, ils éveillent aussitôt la pensée d'une période bien déterminée et d'un ensemble de formes très particulières, qui en caractérisent l'architecture, la sculpture et la peinture, ainsi que toute l'industrie. La raison de ce changement est facile à saisir. De toutes les découvertes par lesquelles Schliemann s'est illustré, les plus importantes sont celles qu'il a faites à Mycènes même et elles ont confirmé la tradition antique: c'est bien Mycènes qui a été la capitale de l'État le plus puissant qui se soit constitué, avant l'invasion dorienne, dans la Grèce continentale. Malgré la diversité des points sur lesquels ont été retrouvées les traces de cette couche préhistorique, on a donc été fondé à introduire dans la langue de l'archéologie, pour désigner tout ce qui se rapporte à ce premier âge, des termes dérivés du nom de la cité où régnaient les Atrides..."

" Il arrive que les hommes et même les femmes, à partir d'un certain âge, mettent leur coquetterie à se vieillir. C'est ainsi que, selon les fâcheux qui ont la manie de tout vérifier, rien ne serait plus rare qu'un centenaire authentique, qui puisse faire valoir, pièces en mains, ses droits à ce titre. Tel se targue, devant les badauds émerveillés, d'avoir vu passer sur sa tête un siècle tout entier, qui n'est même pas nonagénaire. On a accusé l'École normale, non sans quelque malice, d'avoir joué ce jeu. Pour imiter d'autres grandes écoles qui seraient mieux fondées à se réclamer de la Convention nationale, pour avoir, nous aussi, sans plus de retard, notre commémoration solennelle, nous aurions, a-t-on dit, un peu forcé le calcul de nos années; il nous en manquerait, en réalité, une quinzaine pour faire le compte juste; notre montre avancerait; c'est seulement en 1908 que nous aurions dû nous réunir pour célébrer de concert nos vingt lustres de vie et d'activité féconde. Notre Ecole, celle qui, depuis le 6 décembre 1845, s'appelle l'Ecole normale supérieure, n'aurait rien de commun, que le nom, avec les Ecoles normales qui s'ouvrirent à Paris, le 1er pluviôse de l'an III (20 janvier 1795), en exécution du décret du 9 brumaire (30 octobre 1794)..."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.