Bøger af Jerome Klinkowitz

If, as the literary theorists of postmodernism contend, “content” does not exist, then how can fiction continue to be written? Jerome Klinkowitz, himself a veteran practitioner and theorist of fiction, addresses this question in Structuring the Void, an account of what today’s novelists and short story writers do when they produce a fictive work. Klinkowitz’s focus is on the way in which writers have turned this lack of content itself into subject matter, and, by thus “structuring the void,” have created a new form of fiction.Among the writers Klinkowitz discusses are Richard Brautigan, Kurt Vonnegut, Max Apple, Saul Bellow, Erica Jong, Susan Quist, Gerald Rosen, Rob Swigart, and Grace Paley. He shows how, in the absence of subject matter, these writers persist in the act of structuring—by organizing autobiography as a narrative device, ritualizing national history and popular culture, or formalizing a comic response to a new imaginative state, the state of California. Klinkowitz also considers subjects such as gender and war, which, though they cannot be represented, nevertheless exercise contraints on a writer’s intention to structure.What emerges from Klinkowitz’s analysis is a clear sense of what today’s fiction—and fiction writing—is about. As such, Structuring the Void will prove invaluable to anyone with an interest in contemporary literature.

A study of the work of American fiction writer Donald Barthelme, which combines a blend of theory and biography. Emphasis is placed on short stories and the novel "The Dead Father".

More than 100 stories from the European air war.

Discusses the work of three critics who came to prominence in the 1960s, an era of social, ideological, and aesthetic turmoil. Sharing a disdain for modernism's authoritarianism, elitism, and sterile preoccupation with despair, the three critics called for a postmodern art that would emphasise action, reality, and immanence and offer fresh envisionings of the world.

Explores the virtual reinvention of the novel of manners in America out of the same subjectivity that charged the works of New Journalism. In place of the rigid social structures that never seemed to depict America, novelists such as Richard Yates, Dan Wakefield, and Thomas McGuane located America's modern-day manners in its semiotics.

In the twelve months centered around the Japanese attack on Pearl Harbor, a diverse group of American and British flyers fought one of the most remarkable air campaigns of WWII.

Kurt Vonnegut is one of the few American writers since Mark Twain to have won and sustained a great popular acceptance while boldly introducing new themes and forms on the literary cutting edge. This is the "e;Vonnegut effect"e; that Jerome Klinkowitz finds unique among postmodernist authors. In this innovative study of the author's fiction, Klinkowitz examines the forces in American life that have made Vonnegut's works possible. Vonnegut shared with readers a world that includes the expansive timeline from the Great Depression, during which his family lost their economic support, through the countercultural revolt of the 1960s, during which his fiction first gained prominence. Vonnegut also explored the growth in recent decades of America's sway in art, which his fiction celebrates, and geopolitics, which his novels question. A pioneer in Vonnegut studies, Jerome Klinkowitz offers The Vonnegut Effect as a thorough treatment of the author's fiction-a canon covering more than a half century and comprising twenty books. Considering both Vonnegut's methods and the cultural needs they have served, Klinkowitz explains how those works came to be written and concludes with an assessment of the author's place in American fiction.