Rosenberg/Barthes/Hassan

Discusses the work of three critics who came to prominence in the 1960s, an era of social, ideological, and aesthetic turmoil. Sharing a disdain for modernism's authoritarianism, elitism, and sterile preoccupation with despair, the three critics called for a postmodern art that would emphasise action, reality, and immanence and offer fresh envisionings of the world.