Bøger af Pierre Loti

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Livre De La Pitie Et De La Mort Pierre Loti Calmann Levy, 1891

Le château de La Belle-au-bois-dormant

La troisième jeunesse de Madame Prune

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Pierre Loti écrit Jérusalem en 1894, lors d'un voyage en Palestine ottomane. Agnostique notable, il promène son regard dans Jérusalem et nous présente le Saint Sépulcre, la mosquée d'Omar, le Dôme du Rocher, le Mur des Lamentations ou la vallée de Josaphat. Il n'y retrouve pas la foi et critique amèrement l'aspect trop commercial des Lieux Saints et il en donne un compte rendu vibrant. Jérusalem est le deuxième volet d'un triptyque, les deux autres étant Le Désert et La Galilée.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Japan Ved Efteraarstid Pierre Loti, Oscar Arlaud History; Asia; Japan; History / Asia / Japan; Japan

"Au Maroc" de Pierre Loti. Pierre Loti, écrivain français (1850-1923).

The Story of a Child is a novel written by French author Pierre Loti. The book is a semi-autobiographical account of Loti's childhood growing up in the French countryside during the mid-19th century. The story follows the life of a young boy named Pierre, who is raised by his mother and grandmother after his father passes away. The book explores the themes of family, love, and loss as Pierre navigates his way through childhood. The story is told from the perspective of an adult looking back on his childhood, which gives the book a nostalgic and reflective tone. Throughout the novel, Loti vividly describes the natural beauty of the French countryside and the simple joys of childhood, such as playing with friends and exploring the outdoors. He also delves into the complexities of family relationships, including the tension between Pierre's mother and grandmother. The Story of a Child is a poignant and beautifully written coming-of-age story that captures the essence of childhood and the bittersweet nature of growing up.We pretended to be two caterpillars, and we would creep along the ground upon our stomachs and our knees and hunt for leaves to eat. After having done that for some time we played that we were very very sleepy, and we would lie down in a corner under the trees and cover our heads with our white aprons--we had become cocoons. We remained in this condition for some time, and so thoroughly did we enter into the role of insects in a state of metamorphosis, that any one listening would have heard pass between us, in a tone of the utmost seriousness, conversations of this nature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Premier succès de Pierre Loti, Aziyadé est un fascinant témoignage de sa passion et d'une belle histoire d'amour.Avec ce livre, Pierre Loti avait aussi retourné l'opinion occidentale en faveur des Turcs!Texte intégral

Pêcheur d'Islande, où Pierre Loti décrit la vie des pêcheurs bretons, a été un grand succès pour lequel il obtient le prix Vitet de l'Académie française.Texte intégral.

1890. After joining the French Navy, Loti (pen name of Julien Marie Viaud) saw the world from shipboard. He spent long months among the palm groves of the South Seas; he visited the scorching coast of Senegal and the seas of Iceland. A prolific writer, Loti used every strange and exotic scene as a background for his romance novels. The book begins: In descending the coast of Africa, after passing the southern extremity of Morocco, one travels for several days and nights in sight of an interminable country of desolation. It is the Sahara, the great sea without water, which the Moors also call Beled-el-ateuch, the land of thirst. See other titles by this author available from Kessinger Publishing.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" Un ciel sans Dieu personnel, une immortalité sans âme précise, une purification sans prière... La formule énoncée, comme conclusion suprême, continuait de résonner pour moi lugubrement au milieu du silence, après l'entretien tombé. La tristesse du crépuscule imprégnait la demeure, qui était solitaire, dans la campagne, au bord d'un fleuve, parmi des palmiers et de grandes fleurs étranges. Sur les vitraux, éclairant encore la froide bibliothèque où nous étions, peu à peu s'éteignaient des petites images transparentes qui représentaient, en parcelles de verre coloré, tous les emblèmes de la foi humaine réunis là comme en un musée mortuaire: la croix du Christ, le sceau de Salomon, le triangle de Jehovah, le lotus de Çakya-Mouni, la fourche de Vichnou, les symboles d'Isis. C'était la maison de ces théosophes de Madras, sur lesquels on m'avait conté de si merveilleuses choses; bien que n'y croyant guère, j'étais venu quand même, en dernier ressort, leur quêter un peu d'espérance, et voici ce qu'ils m'offraient: la méthode glacée d'un bouddhisme déjà connu, la lueur seule de ma propre raison !... - La prière ? - m'avaient-ils dit. - Et qui donc l'entendrait ?... L'homme est seul en face de sa responsabilité. Rappelez à votre mémoire les lois de Manou: L'homme naît seul, vit seul, meurt seul; la justice seule le suit..."

"Embark on a captivating journey through the timeless landscapes and ancient wonders of Egypt with Pierre Loti in 'Egypt.' Penned by the French author in the late 19th century, this travel narrative provides readers with a poetic and insightful exploration of the mysteries and allure of the Nile Valley.As Loti delves into the iconic monuments, vibrant markets, and cultural richness of Egypt, 'Egypt' is more than a travelogue¿it's a literary expedition that captures the fascination and wonder inspired by the land of pharaohs.Join Loti on this literary journey where each page unveils a new layer of discovery, making 'Egypt' an essential read for those captivated by tales of historical landscapes and the enduring magic of the Egyptian civilization."

Hier existait encore une ville qui s'était à peu près conservée, comme à miracle, depuis les époques où l'Orient resplendissait. On n'y entendait point les bruits de sifflets et de ferraille qui sont l'apanage de nos capitales modernes ; la vie s'y écoulait méditative et discrète, apaisée par la foi ; les hommes y faisaient encore leur prière, et des milliers de petites tombes, d'une forme exquise et toujours pareille, y peuplaient les places ombreuses, rappelant doucement la mort sans y mêler aucune terreur. Cela s'appelait Stamboul, et ce n'était pas au bout du monde ; non, c'était en Europe, à trois jours à peine de notre Paris fiévreux et trépidant...

Experience the drama and devastation of the Boxer Rebellion through the eyes of celebrated French writer Pierre Loti. Myrta Leonora Jones's elegant translation captures the poetry and power of Loti's firsthand account of the siege of Peking. This book is a testament to the human struggle for freedom and highlights the precarious relationship between China and the Western world in the early 20th century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.