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An engaging, giftable, richly-illustrated look at the special connection between people and their beloved pet.
A major new volume on Isamu Noguchi's skyviewing sculptures, which also addresses the theme of space, and our place in the universe.
Illustrates the ways in which the Aristotelian corpus has been transmitted over time, focusing on the moment when, thanks to the invention of printing, Aristotle's works became widely available.
An exploration of two artists' creative dialogue with gardens and nature: French post-impressionist painter Pierre Bonnard (1867-1947) and contemporary American artist Jennifer Bartlett (b. 1941).
Sargent's portraits in charcoal constitute a gallery of the great and the good and the talented, scarcely less remarkable in its range of personalities than that earlier gallery of painted portraits.
Based on previously unpublished documents, this book traces the life in Paris of Countess Olga von Hohenfelsen, later known as Princess Paley, the morganatic wife of Grand Duke Paul of Russia, uncle of the last emperor Nicholas II.While immersing the reader in the world of Marcel Proust (most of Princess Paley's social contacts had fed the writer's imagination), the book explores the couple's day-to-day life, highlighting their relationships with leading suppliers such as couturiers Worth and Paquin and the jeweler Cartier. It also provides an overview of the Parisian art market, and studies the development of the couple's successive residences from Paris to St. Petersburg. For a time in the aftermath of the Russian Revolution, the significant collection and the palace built to house it were shown to the public as the Museum of French Art and History. Dispersed during the 1920s by the Soviet authorities, the collection is studied as a whole here for the first time.First published in French in 2018, this updated English version includes an additional chapter on Princess Natalie Paley, the couple's youngest child. She continued her family's legacy of contributing to culture and the arts well into the twentieth century while living in Paris and the United States, where she was a muse to writers, designers, photographers, and artists.
A long overdue volume which re-establishes Vivian Browne as an important and dynamic American artist with an expressive hand and expansive world view.Vivian Browne's (1929-1993) varied career spanned more than three decades, from her early portraits and landscapes in the late 1950s and early '60s, her Little Men series of 1966-69, through her final San Joaquin and King's Canyon paintings of the very early 1990s, completed just before her death in 1993. This highly active career was framed by Browne's lasting political engagement and activism, that included being an initial director of the Black Emergency Cultural Coalition (BECC), born out of a response to the Metropolitan Museum's failure to include a single Black Harlem-based artist in its 1969 exhibition, Harlem on My Mind, and her active memberships of Where We At (WWA), the Women's Caucus for Art (WCA), and the feminist art collective Heresies, from the early 1970s through her death in 1993.This volume presents about 62 paintings, prints, and works on paper across several major bodies of work, alongside ephemera highlighting Browne's enduring activism and teaching work. Drawing upon previously unknown works and archives that have recently become available, this is a significant contribution to the history of twentieth century American art. It accompanies a major exhibition at the Contemporary Art Center, Cincinnati, OH, and at The Phillips Collection, Washington, DC, in 2025.
A major new survey of an internationally significant collection of Japanese woodblock prints.This wide-ranging volume brings together over seventy five significant woodblock prints from the collection of Worcester Art Museum, MA, spanning three hundred years, from the seventeenth century through the twentieth. Organized chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603-1868) woodblock ukiyo-e prints, many of which were sourced from the museum's seminal John Chandler Bancroft collection, donated in 1901. Encompassing a diverse range of sizes, materials, and subjects, among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada, Utagawa Hiroshige.This volume then surveys later periods and artists associated with Japanese print output during the late nineteenth- and early twentieth-century Meiji (1868-1912) and Taishō (1912-1926) periods including many produced by artists working as part of the Shin-hanga "new prints" and Sōsaku-hanga "creative print" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Kōshirō Onchi and Ito Shinsui.Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.
A thoughtful selection of works which celebrates the opening of the new Buffalo AKG Art Museum, and provides a flavor of one of the world's most extraordinary collections of modern and contemporary art.With nearly 400 pages, this entirely new collection handbook presents over 330 works by 265 artists, arranged alphabetically rather than chronologically, and is the premier souvenir publication for museum visitors and art lovers alike.In late 2019 the Albright-Knox Art Gallery broke new ground on the most significant campus expansion and development project in its 160-year history, reopening in 2023 as the Buffalo AKG Art Museum. The Museum's collections span some of the greatest moments in art through the centuries, beginning with its first acquisition, The Marina Piccola, Capri, 1859, by Albert Bierstadt--both the first painting and the first work gifted by an artist to enter the museum's collection. Impressionism and post-Impressionism are well represented with works by leading nineteenth-century European artists such as Edgar Degas, Paul Gauguin, Claude Monet, Pierre-Auguste Renoir, and Vincent van Gogh. Cubism, Surrealism, Constructivism, and other movements from the revolutionary early years of the 20th century come to life through significant works by Georges Braque, André Derain, Frida Kahlo, Fernand Léger, Henri Matisse, Joan Miró, Piet Mondrian, Georgia O'Keeffe, Pablo Picasso, and Alexander Rodchenko.
"Accompanying a 2023 exhibition at the Morgan Library & Museum, Medieval Money, Merchants, and Morality focuses on the economic revolution that took place in the Middle Ages and early Renaissance in Europe. Featuring essays by Diane Wolfthal and additional contributions by Steven A. Epstein, David Yoon, and Deirdre Jackson, this publication provides an in-depth look into the origins of money and how it transformed the culture and values of European society"--
The Triumph of Nature returns us vividly to an entrancing time in European decorative arts, from its beginnings in the Arts and Crafts movement and Japonisme, through to its evolution into Art Deco style.An exuberant, radical style, Art Nouveau blithely trampled many of the Victorian Age's orthodoxies of art and design. Exploding age-old strictures with its fanciful approach to furniture, graphic arts, jewelry, architecture and more, Art Nouveau also embraced new technologies and incorporated foreign stylistic flourishes. Designing for a range of clients and settings including domestic interiors, innovative artists such as de Feure, Majorelle, and Gallé fashioned their eclectic works to play off each other in harmonious visual arrangements, conceiving of Art Nouveau as an enveloping style.This stunningly illustrated comprehensive volume gathers a profusion of Art Nouveau works and accessories--furniture, paintings, sculpture, mosaics, books, posters, prints, lamps, glass, and other stunning objets d'art--all of them originally designed and coordinated to complement each other in elaborate ensembles.
A major new illustrated survey on two internationally significant Imperial Roman portrait busts.
"This book was published in conjunction with the exhibition Fashion Reimagined: Themes and Variations 1760-NOW, organized by The Mint Museum, Charlotte, North Carolina, December 10, 2022 - June 18, 2023."
"Focusing on Monet's "Vâetheuil in Winter," the latest volume in the Frick Diptych series pairs an essay by Susan Grace Galassi, curator emerita at The Frick Collection, with a contribution by the contemporary artist Olafur Eliasson. In conjunction with the publication, a new work by Eliasson will be displayed alongside the Monet painting at Frick Madison in the fall of 2022"--
"Creating Connections features over 70 paintings, sculptures, drawings, and watercolors from the Rosenthal Collection of work by self-taught artists. This richly illustrated publication explores the mysterious connections we have with works of art and examines the journey into the meaning of art for its creators. It looks at the historic approaches to the creations of self-taught artists and the problems inherent in their interpretation. It also considers where we should go to achieve a more equitable and inclusive art history. The Rosenthal Collection comprises a significant and notably varied grouping. Not only does it cover a broad mix of US names including Earl Cunningham, Henry Darger, Thornton Dial, Bill Traylor, Sister Gertrude Morgan, Ralph Fasanella, Martâin Ramâirez, and Janet Sobel, it also includes nonUS artists Carlo Zinelli, Hiroyuki Doi, Adolf Wèolfli, Donald Pass, and Nek Chand, among others. Jean Dubuffet, the French painter who famously promoted the study of self-taught artists, is also featured. An illustrated interview by Julie Aronson with Richard Rosenthal provides special insight into the collector who has brought together this exceptionally diverse array of work. Essays by Olivia Sagan and Charles Russell look at the need for a more nuanced approach to these artists and their work, at the history of its appreciation (including terminology such as "Outsider Art"), and examine the work in the context of autobiography, trauma, connection, and remembering". --
"The eleventh volume in the Frick Diptych series pairs an essay by Ian Wardropper, Anna-Maria and Stephen Kellen Director, with a poem by James Fenton"--
An important survey of art from a little-studied period of Romanian art history"It is truly extraordinary to me that so much beauty has sprung from such dark times in Romania, and that is what this book wishes to capture. Art speaks its own language."--From the PrefaceDespite Ceaușescu focuses on 91 works, by 13 artists--Horia Bernea, Ştefan Câlţia, Marin Gherasim, Vasile Gorduz, Marcel Guguianu, Sorin Ilfoveanu, Georgeta Năpăruş, Florin Niculiu, Ion Pacea, Corneliu Petrescu, Silvia Radu, Gheorghe Şaru and Icon workshop--drawn from the 900-work Tyler Collection of Romanian Art at the University of Tasmania. The paintings, sculpture, and ceramics were created by artists during the 1970s and 1980s. Fully illustrated throughout in color--with catalogue plates and a checklist--each work of art features an entry with specifications, artist biographical information, stylistic influences, significance and social context, as well as notes. The photographs are by Lee Ewing, sculpture photographer at the National Gallery of Art, Washington DC.
"Published on the occassion of the exhibition Nineteenth Century French Drawings from the Cleveland Museum of Art, on view at the Cleveland Museum of Art from January 20 to June 11, 2023"--Title page verso.
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