Bag om Heaven on Account of Kazakhstan Nurse Julie
"Heaven on Account of Kazakhstan: Nurse Julie" presents a . . . clear and exciting "Vision of Heaven." When we trust Christ, we are identified with Him so that what happened to Him happens to us. Thru Baptism (ridicule comes) our faith is expressed. That unbeliever dies . . . Follows the Old Testament unbelievers to that Side-of-Hades." None-the-less, an inward 180-degree change happened, expressed outwardly (buried with Him; certainly instantly resurrected like He was). We too rise like Him; and instantly-so at that split-second of death; and we, in our earthly body, never dies again. Death has no-more dominion over us (Colossians 2: 12; Galatians 3: 26). Now here's a piece of good-news that goes to the core of our being. It shakes you and me; and everything in you and me comes alive in reality, touching our existence. The power of death is broken, and the root of bondage. There's no fear of death, happy! (John 3: 16-22). It's true . . . It will change everything in your life and shatter things in you more deeply than whenever you have ever been touched. This is the first piece of news that's scripturally proven true; there's good evidence for it and it's been proven. "I sent my 'Soul' through the Invisible, some letter of the 'After-life' . . . to spell. And by and by my Soul return'd to me and answer'd: I, 'Myself' am Heav'n and Hel; Heav'n, but fulfill'd desire and also shadow Hel . . . the Shadow of a "Loveless Soul" on fire, was cast on the darkness from whence I so late emerged, to shall so soon expire. We're really nothing, magic shadow-shapes, that come and go . . . round the Sun's illumined Lantern held by He, who is the 'Master of the Show, ' who beckons to one and all: 'Choose Life, choose Love, choose Me to Know.' But helpless 'Pieces of the Game' He plays, upon a 'Checker-board' of night and days; hither and thither He moves, and checks, and slays . . . And one by one, back in the Closet lays" (Paraphrased)." A Child's Adventure: Tragedy to Triumph," William David, 2013
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