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Intaglio Daughters

Bag om Intaglio Daughters

Author's note: Intaglio Daughters is an homage text for the poet Lyn Hejinian. All titles (in italics above each poem) are taken from her book The Unfollowing. In the preface to her book she writes "I wanted each line to be as difficult to accept on the basis of the previous and subsequent lines as death is for we who are alive-a comparison that I make intentionally, since my intention in writing the sequence of poems I'm calling 'The Unfollowing' was to compose a set of elegies." In considering a form for Intaglio Daughters I wondered-what follows loss and rupture? What follows unfollowing? The mourning process often involves a non-sequential experience of time-and many returns, wavelike, in spirals or contractions. In keeping with this idea of rounds, sinuous or labyrinth-time, reaching backward and forward simultaneously, my book is a series of rondels, with the final line in each poem returning to, and resounding Hejinian's language.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781942723158
  • Indbinding:
  • Paperback
  • Sideantal:
  • 96
  • Udgivet:
  • 15. maj 2023
  • Størrelse:
  • 152x6x229 mm.
  • Vægt:
  • 153 g.
  • BLACK NOVEMBER
Leveringstid: 8-11 hverdage
Forventet levering: 20. november 2024

Beskrivelse af Intaglio Daughters

Author's note: Intaglio Daughters is an homage text for the poet Lyn Hejinian. All titles (in italics above each poem) are taken from her book The Unfollowing. In the preface to her book she writes "I wanted each line to be as difficult to accept on the basis of the previous and subsequent lines as death is for we who are alive-a comparison that I make intentionally, since my intention in writing the sequence of poems I'm calling 'The Unfollowing' was to compose a set of elegies." In considering a form for Intaglio Daughters I wondered-what follows loss and rupture? What follows unfollowing? The mourning process often involves a non-sequential experience of time-and many returns, wavelike, in spirals or contractions. In keeping with this idea of rounds, sinuous or labyrinth-time, reaching backward and forward simultaneously, my book is a series of rondels, with the final line in each poem returning to, and resounding Hejinian's language.

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