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Oleg Kulik: Nothing Inhuman Is Alien to Me

Bag om Oleg Kulik: Nothing Inhuman Is Alien to Me

This 368-page monograph is the first substantial publication in 15 years to take on Russia's most famous performance artist, Oleg Kulik. Also a sculptor and curator, Kulik is most renowned for his disconcerting performances as a dog. Art in America reviewed his 1997 solo exhibition at New York's Deitch Projects thus: ""On a sunny afternoon, Oleg Kulik emerged from the dark cage where he had spent the preceding two weeks on public view, living a dog's life in a gallery. Naked except for a studded leather collar, he had romped on hands and knees, eaten from bowls, slept on a mat and uttered only guttural growlsÖ Kulik's past performances as a dog include a turn as Pavlov's pet in a laboratory where he was subjected to the sort of behavioral experiments routinely endured by lab animals. Most notorious was a Stockholm exhibition in which Kulik bit several visitors (including an art critic), leading to his arrest at the request of the curator.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783866780453
  • Indbinding:
  • Paperback
  • Sideantal:
  • 368
  • Udgivet:
  • 1. juli 2007
  • Størrelse:
  • 227x281x29 mm.
  • Vægt:
  • 1737 g.
Leveringstid: Ukendt - mangler pt.
Forlænget returret til d. 31. januar 2025

Beskrivelse af Oleg Kulik: Nothing Inhuman Is Alien to Me

This 368-page monograph is the first substantial publication in 15 years to take on Russia's most famous performance artist, Oleg Kulik. Also a sculptor and curator, Kulik is most renowned for his disconcerting performances as a dog. Art in America reviewed his 1997 solo exhibition at New York's Deitch Projects thus: ""On a sunny afternoon, Oleg Kulik emerged from the dark cage where he had spent the preceding two weeks on public view, living a dog's life in a gallery. Naked except for a studded leather collar, he had romped on hands and knees, eaten from bowls, slept on a mat and uttered only guttural growlsÖ Kulik's past performances as a dog include a turn as Pavlov's pet in a laboratory where he was subjected to the sort of behavioral experiments routinely endured by lab animals. Most notorious was a Stockholm exhibition in which Kulik bit several visitors (including an art critic), leading to his arrest at the request of the curator.

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