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Popular Art and the Avant-Garde

- Vincent van Gogh's Collection of Newspaper and Magazine Prints

indgår i Art History serien

Bag om Popular Art and the Avant-Garde

When Vincent van Gogh picked up his pencil and set out on his artistic career, it was not with the intention of becoming a leader of the avant-garde art world. Rather, his aims centred on earning a reasonable wage and living within the middle-class norms of his family. Van Goghs hope was to become an illustrator of magazines and newspapers. From 1880-85 van Gogh assembled a collection of over 2,000 black-and-white prints, predominately from English publications such as the Graphic and the Illustrated London News. These prints were produced in the thousands to accompany news stories or as stand-alone illustrations to be pinned up in the family home. Vincent Alessi reveals for the first time how van Goghs collection acted for him as both inspiration and manual: a guide to the subject matter demanded by leading illustrated newspapers and magazines and a model of artistic style. These popular images are shown to have palpably shaped van Goghs art, throughout his career, and to open up rich new understandings of a life and body of work that continue to intrigue and inspire.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781925495737
  • Indbinding:
  • Paperback
  • Sideantal:
  • 248
  • Udgivet:
  • 1. august 2020
  • Størrelse:
  • 233x174x15 mm.
  • Vægt:
  • 380 g.
  • BLACK NOVEMBER
Leveringstid: Ukendt - mangler pt.

Beskrivelse af Popular Art and the Avant-Garde

When Vincent van Gogh picked up his pencil and set out on his artistic career, it was not with the intention of becoming a leader of the avant-garde art world. Rather, his aims centred on earning a reasonable wage and living within the middle-class norms of his family. Van Goghs hope was to become an illustrator of magazines and newspapers. From 1880-85 van Gogh assembled a collection of over 2,000 black-and-white prints, predominately from English publications such as the Graphic and the Illustrated London News. These prints were produced in the thousands to accompany news stories or as stand-alone illustrations to be pinned up in the family home. Vincent Alessi reveals for the first time how van Goghs collection acted for him as both inspiration and manual: a guide to the subject matter demanded by leading illustrated newspapers and magazines and a model of artistic style. These popular images are shown to have palpably shaped van Goghs art, throughout his career, and to open up rich new understandings of a life and body of work that continue to intrigue and inspire.

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