Udvidet returret til d. 31. januar 2025

Sheva Fruitman: Half-Frame Diary

Bag om Sheva Fruitman: Half-Frame Diary

Half-Frame Diary: End of the Century presents a selection of photos made between 1998 and 2000 from artist Sheva Fruitman's decades-long photo-diary project. These images idiosyncratically mirror everyday life at the end of the twentieth century, captured by Fruitman as she traveled the world. Composed as diptychs, the half-frame photos are pairs, with two vertical images in the space of one 35mm frame. Resonances between these sepia-toned streetscapes and interiors link their original contexts and create episodes from layered, incomplete narratives: be it bunches of ripe bananas played against a tarot reader's neon sign of a palm, changing reflections in a shop window, or the linear patterns of buildings and a cherry picker versus those of a subway platform. These once timeless scenes, now published for the first time, are remnants of a not-too-distant world that no longer exists.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783958294998
  • Indbinding:
  • Hardback
  • Sideantal:
  • 184
  • Udgivet:
  • 31. december 2025
  • BLACK WEEK
Leveringstid: Kan forudbestilles
Forlænget returret til d. 31. januar 2025
  • Bogen kan først forudbestilles 6 måneder før udgivelsesdatoen

Beskrivelse af Sheva Fruitman: Half-Frame Diary

Half-Frame Diary: End of the Century presents a selection of photos made between 1998 and 2000 from artist Sheva Fruitman's decades-long photo-diary project. These images idiosyncratically mirror everyday life at the end of the twentieth century, captured by Fruitman as she traveled the world.
Composed as diptychs, the half-frame photos are pairs, with two vertical images in the space of one 35mm frame. Resonances between these sepia-toned streetscapes and interiors link their original contexts and create episodes from layered, incomplete narratives: be it bunches of ripe bananas played against a tarot reader's neon sign of a palm, changing reflections in a shop window, or the linear patterns of buildings and a cherry picker versus those of a subway platform. These once timeless scenes, now published for the first time, are remnants of a not-too-distant world that no longer exists.

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