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Stephanie Syjuco: The Unruly Archive

Bag om Stephanie Syjuco: The Unruly Archive

Stephanie Syjuco: The Unruly Archive is the artist's first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist's work ultimately seeks to "talk back" to the archive and find agency in challenging its images. As she states in the book's introduction, "I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things."

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9798890180766
  • Indbinding:
  • Hardback
  • Udgivet:
  • 1. maj 2024
  • Størrelse:
  • 236x292x33 mm.
  • Vægt:
  • 1542 g.
  • BLACK FRIDAY
    : :
Leveringstid: Ukendt - mangler pt.
Forlænget returret til d. 31. januar 2025

Beskrivelse af Stephanie Syjuco: The Unruly Archive

Stephanie Syjuco: The Unruly Archive is the artist's first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist's work ultimately seeks to "talk back" to the archive and find agency in challenging its images. As she states in the book's introduction, "I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things."

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