Udvidet returret til d. 31. januar 2025

Sunshine on Putty

Bag om Sunshine on Putty

The definitive history of a golden age in British show-business, Sunshine On Putty is based on hundreds of interviews with the leading comedians of the era, as well as managers, agents, producers, directors, executives and TV personalities. In the 1990s, British comedy underwent a renaissance ? shows like The Fast Show, The Day Today, Shooting Stars, The League of Gentlemen, The Royle Family and The Office were hugely popular with critics and audiences alike. Just as politics, sport, art, literature and religion seemed to move towards light entertainment, the comedy on the nation's televisions not only offered a home to ideas and ideals of community which could no longer find one elsewhere, but also gave us a clearer picture of what was happening to our nation than any other form of artistic endeavour. From Ricky Gervais' self-destructive love affair with dairy products to Steve Coogan's suicidal overtaking technique; from the secrets of Vic Reeves' woodshed, to the stains on Caroline Aherne's sofa; from Victor Meldrew's prophetic dream to Spike Milligan's final resting place, Ben Thompson reveals the twisted beauty of British comedy's psyche.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780007181322
  • Indbinding:
  • Paperback
  • Sideantal:
  • 506
  • Udgivet:
  • 4. oktober 2004
  • Størrelse:
  • 127x30x203 mm.
  • Vægt:
  • 603 g.
  • BLACK WEEK
Leveringstid: 8-11 hverdage
Forventet levering: 13. december 2024
Forlænget returret til d. 31. januar 2025

Beskrivelse af Sunshine on Putty

The definitive history of a golden age in British show-business, Sunshine On Putty is based on hundreds of interviews with the leading comedians of the era, as well as managers, agents, producers, directors, executives and TV personalities.

In the 1990s, British comedy underwent a renaissance ? shows like The Fast Show, The Day Today, Shooting Stars, The League of Gentlemen, The Royle Family and The Office were hugely popular with critics and audiences alike. Just as politics, sport, art, literature and religion seemed to move towards light entertainment, the comedy on the nation's televisions not only offered a home to ideas and ideals of community which could no longer find one elsewhere, but also gave us a clearer picture of what was happening to our nation than any other form of artistic endeavour.

From Ricky Gervais' self-destructive love affair with dairy products to Steve Coogan's suicidal overtaking technique; from the secrets of Vic Reeves' woodshed, to the stains on Caroline Aherne's sofa; from Victor Meldrew's prophetic dream to Spike Milligan's final resting place, Ben Thompson reveals the twisted beauty of British comedy's psyche.

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