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The Beloved of the Dawn

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Four classical Greek myths retold with unexpected twists by an East German dissident.  Franz Fÿhmann‿s subversive retellings of four Greek legends were first published in East Germany in 1980. In them, Fÿhmann plumbs the ancient tales‿ depths and makes them his own. Attuned to conflict and paradox, he sheds light on the complexities of sex and love, art and beauty, politics and power. In the title story, the love of the goddess Eos for the mortal Tithonos reveals the blessing and curse of transience, while “Hera and Zeusâ€? probes the divine couple‿s tumultuous relationship and its devastating consequences for a world embroiled in war. Fÿhmann‿s unflinching account of Marsyas‿ flaying by Apollo has been widely read as a dissident political statement that has lost none of its incisive force. At times charged with sensuality, and at others honed to a keen analytical edge, Fÿhmann‿s shimmering prose is matched by Sunandini Banerjee‿s exquisite collages.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780857429001
  • Indbinding:
  • Hardback
  • Sideantal:
  • 84
  • Udgivet:
  • 9. juni 2022
  • Størrelse:
  • 233x373x13 mm.
  • Vægt:
  • 272 g.
Leveringstid: Ukendt - mangler pt.
Forlænget returret til d. 31. januar 2025
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    Kan formentlig ikke leveres inden jul

Beskrivelse af The Beloved of the Dawn

Four classical Greek myths retold with unexpected twists by an East German dissident.  Franz Fÿhmann‿s subversive retellings of four Greek legends were first published in East Germany in 1980. In them, Fÿhmann plumbs the ancient tales‿ depths and makes them his own. Attuned to conflict and paradox, he sheds light on the complexities of sex and love, art and beauty, politics and power. In the title story, the love of the goddess Eos for the mortal Tithonos reveals the blessing and curse of transience, while “Hera and Zeusâ€? probes the divine couple‿s tumultuous relationship and its devastating consequences for a world embroiled in war. Fÿhmann‿s unflinching account of Marsyas‿ flaying by Apollo has been widely read as a dissident political statement that has lost none of its incisive force. At times charged with sensuality, and at others honed to a keen analytical edge, Fÿhmann‿s shimmering prose is matched by Sunandini Banerjee‿s exquisite collages.

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