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The Pagoda

Bag om The Pagoda

In 1977, two lesbian couples living in St. Augustine, Florida, found a row of small beach houses for sale next to a house they wanted to turn into a feminist theatre. They bought the cottages, leased and later bought the theatre building, and over the next two decades expanded and developed the property as a cultural center, women's retreat center, and residential community. The Pagoda, as it came to be called, offered nude swimming in a private pool, fire circles on the beach, variety shows with bellydancing, poetry readings, comedy sketches, and regular concerts by feminist musicians in a private theatre. Pagoda women produced feminist plays about Cinderella's after-story and sketch comedy by Positively Revolting Hags. They hosted celebrations of the Goddess, Tarot readings, and psychic workshops. At its height, The Pagoda was a Goddess church running a cultural center and guesthouse surrounded by twelve tiny, custom-built, knotty pine cottages and a duplex, all owned by lesbians. The cultural center and guesthouse lasted twenty-two years as an active operation run by the incorporated, tax-exempt Pagoda-temple of Love in the closing decades of the twentieth century, and another sixteen years after that shepherded by Fairy Godmothers, Inc., four women with a different vision for the space. This is the story of how all that happened. In The Pagoda: A Lesbian Community by the Sea, Rose Norman expertly synthesizes interviews and extensive archival research to tell the story of the women who made that community a place for lesbian culture to bloom and grow.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781944981631
  • Indbinding:
  • Paperback
  • Sideantal:
  • 368
  • Udgivet:
  • 16. januar 2024
  • Størrelse:
  • 145x41x208 mm.
  • Vægt:
  • 544 g.
Leveringstid: Ukendt - mangler pt.

Beskrivelse af The Pagoda

In 1977, two lesbian couples living in St. Augustine, Florida, found a row of small beach houses for sale next to a house they wanted to turn into a feminist theatre. They bought the cottages, leased and later bought the theatre building, and over the next two decades expanded and developed the property as a cultural center, women's retreat center, and residential community. The Pagoda, as it came to be called, offered nude swimming in a private pool, fire circles on the beach, variety shows with bellydancing, poetry readings, comedy sketches, and regular concerts by feminist musicians in a private theatre. Pagoda women produced feminist plays about Cinderella's after-story and sketch comedy by Positively Revolting Hags. They hosted celebrations of the Goddess, Tarot readings, and psychic workshops. At its height, The Pagoda was a Goddess church running a cultural center and guesthouse surrounded by twelve tiny, custom-built, knotty pine cottages and a duplex, all owned by lesbians. The cultural center and guesthouse lasted twenty-two years as an active operation run by the incorporated, tax-exempt Pagoda-temple of Love in the closing decades of the twentieth century, and another sixteen years after that shepherded by Fairy Godmothers, Inc., four women with a different vision for the space. This is the story of how all that happened. In The Pagoda: A Lesbian Community by the Sea, Rose Norman expertly synthesizes interviews and extensive archival research to tell the story of the women who made that community a place for lesbian culture to bloom and grow.

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