A modern lover. By

George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo.He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola.His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist. Moore returned to London in 1911, where, with the exception of frequent trips to France, he was to spend much of the rest of his life. In 1913, he traveled to Jerusalem to research for his next novel, The Brook Kerith (1916). The book saw Moore once again embroiled in controversy, as it was based on the supposition that a non-divine Christ did not die on the cross but instead was nursed back to health.Other books from this period include a further collection of short-stories called A Storyteller's Holiday (1918), a collection of essays called Conversations in Ebury Street (1924) and a play, The Making of an Immortal (1927). Moore also spent considerable time revising and preparing his earlier writings for new editions. Partly due to Maurice's pro-treaty activity, Moore Hall was burnt by anti-treaty forces in 1923, during the final months of the Irish Civil War.Moore eventually received compensation of £7,000 from the government of the Irish Free State. By this time George and Maurice had become estranged, mainly because of an unflattering portrait of the latter which appeared in Hail and Farewell. Tension also arose as a result of religious differences: Maurice frequently made donations to the Roman Catholic Church from estate funds.Moore later sold a large part of the estate to the Irish Land Commission for £25,000. Moore was friendly with many members of the expatriate artistic communities in London and Paris, and had a long-lasting relationship with Maud, Lady Cunard. Moore took a special interest in the education of Maud's daughter, the well-known publisher and art patron, Nancy Cunard.It has been suggested that Moore, rather than Maud's husband, Sir Bache Cunard, was Nancy's father, but this is not generally credited by historians, and it is not certain that Moore's relationship with Nancy's mother was ever more than platonic.Moore was believed by some to be impotent and was described as "one who told but didn't kiss". Moore's last novel, Aphroditis in Aulis, was published in 1930. He died at his home at Ebury Street in the London district of Belgravia in early 1933, leaving a fortune of £70,000. He was cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes was interred on Castle Island in Lough Carra in view of the ruins of Moore Hall..