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Jacob's Room

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"Blame it or praise it, there is no denying the wild horse in us." Virginia Woolf, Jacob's Room Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob (except for those times when we do indeed get Jacob's perspective). Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgamation of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Literary significance The novel is a departure from Woolf's earlier two novels, The Voyage Out (1915) and Night and Day (1919), which are more conventional in form and narration. The work is seen as an important modernist text; its experimental form is viewed as a progression of the innovative writing style Woolf presented in her earlier collection of short fiction titled Monday or Tuesday (1919).

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781494962319
  • Indbinding:
  • Paperback
  • Sideantal:
  • 156
  • Udgivet:
  • 10. Januar 2014
  • Størrelse:
  • 152x229x9 mm.
  • Vægt:
  • 236 g.
Leveringstid: 2-3 uger
Forventet levering: 4. Juni 2024

Beskrivelse af Jacob's Room

"Blame it or praise it, there is no denying the wild horse in us."
Virginia Woolf, Jacob's Room Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob (except for those times when we do indeed get Jacob's perspective). Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgamation of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Literary significance The novel is a departure from Woolf's earlier two novels, The Voyage Out (1915) and Night and Day (1919), which are more conventional in form and narration. The work is seen as an important modernist text; its experimental form is viewed as a progression of the innovative writing style Woolf presented in her earlier collection of short fiction titled Monday or Tuesday (1919).

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