My Contemporaries in Fiction

When these essays were originally printed (they appeared simultaneously in many newspapers), I expected to make some enemies. So far, I have been most agreeably disappointed in that regard; but I can affirm that they have made me many friends, and that I have had encouragement enough from fellow craftsmen, from professional critics, and from casual readers at home, in the colonies, and the United States to bolster up the courage of the most timorous man that ever held a pen. As a set-off against all this, I have received one very noble and dignified rebuke from a Contemporary in Fiction, whom the world holds in high honour, who regrets that I am not engaged in creative work-in lieu of this-and pleads that 'authorship should be allowed the distinction of an exemption from rank and title.' With genuine respect I venture to urge that this is an impossible aspiration, and in spite of the lofty sanction which the writer's name must lend to his opinion, I have been unable to surrender the belief that the work done in these pages is alike honourable and useful. It is, as will be seen, in the nature of a crusade against puffery and hysteria. It is not meant to instruct the instructed, and it makes no pretence to be infallible, but it is issued in its present form in the belief that it will (in some degree) aid the average reader in the formation of just opinions on contemporary art, and in the hope that it may (in some degree) impose a check on certain interested or over-enthusiastic people.