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Non-Memoirs

Bag om Non-Memoirs

One afternoon in December 1992, in Tartu, Estonia, Yuri Mikhailovich Lotman reluctantly sat down to dictate his memoirs to Elena Pogosian, his assistant, over a pot of tea. It was to be the first of twelve dictation sessions during which the initial draft of Non-Memoirs was created. The sessions were spread out over that winter and into the spring of 1993--the last spring of Lotman's life. The result of the process is this book - a book of memories and recollections of a good part of 20th century, divided into seven sections. The five shorter sections concern themselves with a single anecdote or theme (lice on the front, an encounter with a hare, a "totally Bulgakovian" episode, a visit from the KGB, Tartu School politics); the two longer sections provide the narrative backbone of the memoirs, tending to treat the passage of time, rather than a single event (school and frontline life, the end of the war and postwar university life).

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781564789969
  • Indbinding:
  • Paperback
  • Sideantal:
  • 108
  • Udgivet:
  • 1. januar 2015
  • Størrelse:
  • 216x141x9 mm.
  • Vægt:
  • 164 g.
  • BLACK NOVEMBER
Leveringstid: 8-11 hverdage
Forventet levering: 6. december 2024

Beskrivelse af Non-Memoirs

One afternoon in December 1992, in Tartu, Estonia, Yuri Mikhailovich Lotman reluctantly sat down to dictate his memoirs to Elena Pogosian, his assistant, over a pot of tea. It was to be the first of twelve dictation sessions during which the initial draft of Non-Memoirs was created. The sessions were spread out over that winter and into the spring of 1993--the last spring of Lotman's life. The result of the process is this book - a book of memories and recollections of a good part of 20th century, divided into seven sections. The five shorter sections concern themselves with a single anecdote or theme (lice on the front, an encounter with a hare, a "totally Bulgakovian" episode, a visit from the KGB, Tartu School politics); the two longer sections provide the narrative backbone of the memoirs, tending to treat the passage of time, rather than a single event (school and frontline life, the end of the war and postwar university life).

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