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The Phantom of the Opera

Bag om The Phantom of the Opera

Before the Andrew Lloyd Webber's musical, there was Gaston Leroux's original novel "The Phantom of the Opera". More than a love story, "The Phantom of the Opera" is a gothic tale of obsession --leading to madness. The Paris Opera House and its hidden rooms, and underground are perfect place to develop a horror story. Leroux noticed this potential. His descriptions of the place are creepy and in the end we start wondering if it is not a true story indeed. Leroux was very smart, writing a novel like he was only reporting something --and not creating a work of fiction. Therefore there are police reports, newspapers' scraps, witness interviews. More than a narrator, the person who is telling the story is only gathering useful information for the reader. His characters are real human beings --even the `ghost', than throughout the narrative we realize that he is the one with most human characteristics. Sometimes, Christine is a little stereotypical, mostly when she says she wants to be `the mistress of her faith' or something like it. And so is Raoul --but that doesn't diminish the qualities of this engaging novel. All in all, this is a highly recommended French classic.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781495323638
  • Indbinding:
  • Paperback
  • Sideantal:
  • 196
  • Udgivet:
  • 26. januar 2014
  • Størrelse:
  • 152x229x11 mm.
  • Vægt:
  • 268 g.
  • BLACK WEEK
Leveringstid: 2-3 uger
Forventet levering: 13. december 2024

Beskrivelse af The Phantom of the Opera

Before the Andrew Lloyd Webber's musical, there was Gaston Leroux's original novel "The Phantom of the Opera". More than a love story, "The Phantom of the Opera" is a gothic tale of obsession --leading to madness. The Paris Opera House and its hidden rooms, and underground are perfect place to develop a horror story. Leroux noticed this potential. His descriptions of the place are creepy and in the end we start wondering if it is not a true story indeed. Leroux was very smart, writing a novel like he was only reporting something --and not creating a work of fiction. Therefore there are police reports, newspapers' scraps, witness interviews. More than a narrator, the person who is telling the story is only gathering useful information for the reader. His characters are real human beings --even the `ghost', than throughout the narrative we realize that he is the one with most human characteristics. Sometimes, Christine is a little stereotypical, mostly when she says she wants to be `the mistress of her faith' or something like it. And so is Raoul --but that doesn't diminish the qualities of this engaging novel. All in all, this is a highly recommended French classic.

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