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Polish Modernism and Jewish Identity

Polish Modernism and Jewish Identityaf Piotr Slodkowski
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Modernist painter, social realist, Holocaust survivor, and student of the Parisian Avant Garde: Jewish-Polish artist Henryk Streng was extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism. Yet the work of this radical artist is still barely known. In this book, inspired by the 2021 exhibition at the Museum of Modern Art in Warsaw, Piotr Slodkowski demonstrates that the work of Streng disrupts established notions of 20th-century Polish art, connecting local Polish art history with wider trends in European Modernism. Traversing the 1920s Académie Moderne, hubs of creativity in interwar Poland, Nazi concentration camps, and the Polish People's Republic under Soviet influence, this book reveals the changing artistic phenomena of Poland between the 1920s and 1950s, illustrating how Streng drew on his Jewish-Polish identity and the legacy of genocide in his work. Rather than deferring to the French Avant Garde, Slodkowski sheds light on regional expressions of Modernism and emphasises the complexity of identity and creativity in 20th-century Poland. In doing so, this book brings Streng out of the shadows and into wider considerations of modernist European art and its development.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781350292505
  • Indbinding:
  • Hardback
  • Sideantal:
  • 272
  • Udgivet:
  • 23. Januar 2025
  • Størrelse:
  • 156x25x234 mm.
  • Vægt:
  • 454 g.
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Beskrivelse af Polish Modernism and Jewish Identity

Modernist painter, social realist, Holocaust survivor, and student of the Parisian Avant Garde: Jewish-Polish artist Henryk Streng was extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism. Yet the work of this radical artist is still barely known. In this book, inspired by the 2021 exhibition at the Museum of Modern Art in Warsaw, Piotr Slodkowski demonstrates that the work of Streng disrupts established notions of 20th-century Polish art, connecting local Polish art history with wider trends in European Modernism. Traversing the 1920s Académie Moderne, hubs of creativity in interwar Poland, Nazi concentration camps, and the Polish People's Republic under Soviet influence, this book reveals the changing artistic phenomena of Poland between the 1920s and 1950s, illustrating how Streng drew on his Jewish-Polish identity and the legacy of genocide in his work. Rather than deferring to the French Avant Garde, Slodkowski sheds light on regional expressions of Modernism and emphasises the complexity of identity and creativity in 20th-century Poland. In doing so, this book brings Streng out of the shadows and into wider considerations of modernist European art and its development.

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